Highlights—and otherwise—of the week’s calendar.
KATHY LEE’S NOT THE DARK SIDE?Having never been on a cruise, all I can envision is Kathy Lee belting out…
The politics of keeping a movement alive after the war.
How the discovery of a 9,000-year-old skeleton on the Columbia River may sink the land-bridge theory of North American settlement and has pitted science against Native American rights.
For those fighting gentrification downtown, enemies sometimes come disguised as friends.
Email your music listings at least eight days in advance of publication to: abonazelli@seattleweekly.com.Fax: 206-467-4377. Please, no phone calls. Wed…
Making good on paisley-tinted retro with groovy indie-popsters Of Montreal.
Richard Grossman: “It all falls together. And that’s I think when it becomes dangerous—when you start leaving your factional camps…
SHANGHAI BABY by Wei Hui (Pocket Books, $24) YOU CAN’T BEAT this publicity with a stick: A beautiful, young author…
Sometimes you can actually infer a lot about a place by the sign that hangs outside, and that’s definitely the…
Dizzee Rascal and Run the Road catch us up with London’s grime scene.
An interview with Francois Girard and Don McKellar.
Coming back around to vinyl for holiday music.
The Seattle World’s Fair of 1962 was the last fair to look into the future with a straight face. From…
Blame the Board Nice piece on Joel Horn [“Joel Horn’s Blank Check,” July 13]. I especially like his concept of…
The Sonics limp to season’s end and an uncertain future.
Johnny Dowd stretches out with The Pawnbroker’s Wife.
Toronto photographer Tania Kitchell was born in rural Saskatchewan, so maybe that’s why she’s so fascinated with cold weather. Whatever…
At the Henry, Maya Lin brings her eye for topography indoors.
Opens at Harvard Exit, Fri., July 14. Rated PG-13. 104 minutes.
