Feb. 16-22, 2005
A lucid, structurally sound, and yet totally unmemorable novel.
Advance registration or reservations are recommended for most events. Prices exclude tax and gratuity unless otherwise noted. THE GRAPEVINE March…
Send listings two weeks in advance to visualarts@seattleweekly.com. Lectures and Events Artist Lecture: Ron Pokrasso A discussion of printing and…
Send listings two weeks in advance to visualarts@seattleweekly.com. Lectures and Events Artist Lecture: Lin Tianmiao The Chinese artist talks about…
The gearhead’s guide to generosity
Wednesday 2/26 Thursday 2/27 Friday 2/28 Saturday 3/1 Sunday 3/2 Monday 3/3 Tuesday 3/4 Wednesday 3/5 WEDNESDAY 2/26 LIVE…
Ishmael Butler on the past, the present, and the brightness of blackness.
The cover of Marvin Shanken’s glossy Wine Spectator is usually occupied by gorgeous vistas of vineyards on the Rhône or…
Anne Gilbert makes sure these kids can dance.
Cutting through the crap with longtime locals the Fall-Outs.
Local lit mag brings funny women to Bumbershoot stage. No, really.
Earshot lumbers on, attracting Seattle’s strong players and ace out of towners.
John Vanderslice gets both personal and political.
Fox Home Entertainment, $19.98.
Slovenian arts collective NSK turns totalitarian imagery against the state.
Has anyone else noticed that familiar voice in the Target commercials for leatherwear? (Oh, shut up, so we’ve been watching…
An innovative ensemble adds aural texture to silent films.
Seattle Weekly: Your new album, Menos el Oso [Suicide Squeeze], sounds pretty emotional, but some of the song titles are…
DAN MELCHIOR’S BROKE REVUE Bitterness, Spite, Rage & Scorn (In the Red) TIJUANA HERCULES When the Moon Comes Up Wild…
