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Articles by Victoria Ellison
S0155535Portrait of Dora Maar, 1937. Oil on canvas, 92 x 65 cm. Photo: Jean-Gilles Berizzi.Image licenced to Sarah Berman Seattle Art Museum by Sarah BermanUsage :  - 3000 X 3000 pixels (Letter Size, A4) © RÈunion des MusÈes Nationaux / Art Resource
Other Voices, Other Rooms
By Victoria Ellison • November 2, 2010 12:00 am

The many evocations of SAM’s Picasso show.

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A rare scene of domestic quiet, from Eishosai Choki.
The Fleeting, Caught
By Victoria Ellison • June 16, 2010 12:00 am

Japanese woodblock prints capture a world of threat and pleasure.

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Visual Arts Review: K.O.S. at the Frye
Visual Arts Review: K.O.S. at the Frye
By Victoria Ellison • May 11, 2010 12:00 am

Book pages become fields of abstraction and at-risk youth are the art stars.

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Untitled (Head of Guanyin): You’re in it.
Visual Arts: Deeper Than Guts
By Victoria Ellison • March 23, 2010 12:00 am

Through her own camera lens, Kiki Smith’s sculptures become mythic material.

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“Freeing the Figure” at SAM
“Freeing the Figure” at SAM
By Victoria Ellison • December 8, 2009 12:00 am

Taking Jacob Lawrence out of the bounds of history.

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Visual Arts: Star Systems
Visual Arts: Star Systems
By Victoria Ellison • October 27, 2009 12:00 am

Childlike joy and the search for certainty at SAM.

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Well-aimed: a still from Blake’s Winchester.
Visual Arts Review: The Phantom Caller
By Victoria Ellison • October 20, 2009 12:00 am

Folk-art tropes jolted into the present.

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Huyghe’s film: Giving Harvard a hard time.
Visual Arts: Rite of String
By Victoria Ellison • July 14, 2009 12:00 am

Puppets get their say at the Frye.

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Heathen Chinee Pitcher: celebrating frontier justice.
Visual Arts: SAM’s Americana
By Victoria Ellison • May 12, 2009 12:00 am

Masterpieces you can’t miss alongside Antiques Roadshow foofaraw.

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An updated stereoscope.
William Kentridge: the Exhibit
By Victoria Ellison • March 17, 2009 12:00 am

Video art—political video art, even—that avoids shrillness.

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Ravishing Point
Ravishing Point
By Victoria Ellison • February 10, 2009 12:00 am

An orgy of color, light, and detail exhilarates at SAAM.

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“Active collaborators” in Funk Staden.
Fleeting Victories
By Victoria Ellison • December 23, 2008 12:00 am

Cultures collide at the Frye—and it’s your last two weeks to see the carnage.

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New York Restaurant (1922).
Mentally Projected
By Victoria Ellison • December 2, 2008 12:00 am

What to see in Hopper paintings you already know too well.

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Steven Holl's newest sacred space: the Bellevue Art Museum
Visual arts, 1999
By Victoria Ellison • October 9, 2006 12:00 am

Architectural promises: “Paris, Amsterdam, and New York are doomed cities,” warns architect Rem Koolhaas. “No longer laboratories of uncertainty, they…

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Sandy Skoglund's work shimmers with madness.
It’s alive!
By Victoria Ellison • October 9, 2006 12:00 am

Consolidated Works proves that life comes in many forms.

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Lining up
Lining up
By Victoria Ellison • October 9, 2006 12:00 am

Northwest masters on display.

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Surf 'n' suds: Marion Peck's playful Bacchanal '79 toys with tradition.
Reality bites
By Victoria Ellison • October 9, 2006 12:00 am

Two shows turn art history on its ear.

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What about a Brilliant Blue Persian Wall Installation for your loved one?
Big Impressions
By Victoria Ellison • October 9, 2006 12:00 am

Nothing spells prestige quite like a Chihuly

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Sperm banks at the Henry: where genetic ethics meet questions of ownership.
Banks in Pink and Blue
By Victoria Ellison • October 9, 2006 12:00 am

Gallery or laboratory?

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Cuckoo for CoCA: Money changes everything.
Putting out the fire
By Victoria Ellison • October 9, 2006 12:00 am

A heated board meeting and a major donation may have saved CoCA from the ashes.

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