At the Triple Door, the stage is set but the patrons are MIA.
THE SUBURBS STILL STINK While Priscilla Turner’s “An Acquired Taste for the Suburbs” [Jan. 22] was interesting on an informational-demographic…
Wed LIVE MUSIC ALL AMERICAN Metro Retro at 9 p.m. BAD ALBERT’S Rod Cook at 9 p.m. BALTIC ROOM Sample…
Send listings two weeks in advance to visualarts@seattleweekly.com Lectures and Events Benefit Auction: Contemporary Northwest Coast Art In a fundraiser…
It’s easy to dislike a plan to close schools, but who’s got a better idea to save $20 million? Possibly lots of people.
Multimedia offering repeats the same old woes about women’s self-image.
JAGERMEISTER The beverage of choice for those who want to go beyond the cheaper, less robust cough syrups. With 56…
“I HAD AN AGENDA, I shared that agenda with my colleagues, and I have not deviated from that agenda. In…
Out of time.
Orchestral
The immense head will likely catch your eye from the street, even though the canvas is hanging on the far…
The en-route jackpot is there for the taking
Seth Greenland, Philip Short, Bruce Wagner, and Jana Hensel.
HEMPFEST, the venerable old lady of pro-pot festivals, is homeless for the first time since 1994. Forced to pull up…
Implausible characters move moodily through action-less film to pointless conclusion.
And the winner is . . . nobody! The 2004 Grammy Awards.
Last year I wrote a column in which I hyperventilated about the wonderfulness of serving nothing but wine and cheese…
Club owner Patti Summers prepares to sell a local landmark.
Graphic literature gets its due on gallery walls.
France seems almost like Tacoma in Olivier Assayas’ A New Life. The opening shot takes place in a Costco-like warehouse…
