After playing a song hundreds of times, what happens when performers simply go blank?
The Seattle singer-songwriter’s new album was born “effortlessly” of a “spiritual experience.”
Directed by Anissa Amalia, “fuuuck // Dream” waltzes through an otherworldly realm.
Guru Kyle is changing lives with his revelatory respiratory exercises.
That cut you like is going to come back in style.
Full of oblivious privileged characters and well-photographed food, the film is thoroughly off.
See anti-gasoline art, bring your cat to the park, and much more.
A Q&A with Chris E. Vargas, organizer of ‘Trans Hirstory in 99 Objects.’
The whimsical tradition pairs artists with UW students for surprise results.
‘The Body That Follows Us,’ published two months after her death, is also her best.
Velocity’s experimental open mic allows artists to take first stabs at performance with an audience.
The scene put out too many good albums, so get ready for a jumbo-sized edition of our roundup.
The author of ‘Life’s Work: A Moral Argument for Choice’ is coming to town, courtesy of Shout Your Abortion.
Remembering the fleeting, neglected fancy of the Seattle Center Fun Forest amusement park.
Ever wonder what’s going on when boys greet each other? Wonder no more.
Seattle Public Theatre engages with one end of homelessness while missing the other.
Paul Mullin’s reading series is for fighters ready to get a little uncomfortable.
If you’re cool like that, catch Digable Planets, a Seattle award winning film by way of Russia, and more.
The month-long leftist festival offers interesting perspectives on art and politics–but who is showing up?
The Seattle four-piece are the ‘anti-Metallica,’ but their new album is heavy in its own way.
