No. 4 in a series.
In a departure from its usual gritty, avant-garde productions of plays by young authors, Washington Ensemble Theatre is tackling a…
More threadwork of solid architecture.
Meet the world’s most unjustifiably confident singer.
Just ignore the bales of razor wire at the fences.
It was my high-school art teacher who introduced me to the work of Abstract Expressionist Franz Kline. He knew I…
It’s spring, and I’m in love. It’s been an intermittent but long-standing affair (we met back in October 1998), but…
Hidden inside the private dining room at SAM’s TASTE restaurant is a full-room, permanent installation by Jeffry Mitchell, whose playful,…
Few writers seem as possessed by genius as Franz Kafka, the Austrian insurance-company clerk whose nightly expeditions into the recesses…
You’d be hard-pressed to find anyone complaining about the Seattle Art Museum’s sparkling new expansion. At REI’s anniversary sale—which started…
Brian Faker has demonstrated with his past programming how good kid shows can be.
The Web site of the Greater Seattle Romance Writers of America says it all: “As a writer, monthly meetings are…
Admirably, this project avoided any distasteful hint of me-too-ism.
Like most museum-goers, I’m often struck by that sometimes-bizarre disconnect between the setting in which the artifacts were originally created—a…
Seattle Opera’s handsome, impressively crafted La Bohème provides an ideal frame for the singers to work in. Director Jose Maria…
See Book-It’s Rhoda: A Life in Stories for details.
Thornton Wilder was not a homespun regular guy but the weirdest great U.S. playwright. And The Skin of Our Teeth…
One bitter, the other bawdy.
Nicola Griffith’s third Aud outing is practiced but a little heartless.
A lot of ink has been spilled trying to define Matthew Bourne’s works. Are they ballet? Musical theater? Performance art?…
