- News & Comment
- Arts & Culture
- Special Content
- Print Edition
After a collision with a motorcyclist, a taxi driver’s lifesaving decision begins a dark descent.
‘Rules Don’t Apply’ shines by not settling for mere nostalgia.
The film’s approach to 1967’s court ruling on interracial marriage suffers from reluctant direction.
The Brazilian film finds a mid-60s writer battling for her historic building against developers.
There are plenty of hit-and-miss moments, but it all adds up to an inspired end.
The film trains its eye, and therefore rests its case, again and again, on stark juxtapositions.
This series of vignettes, set around wintry Livingston, Montana, is more about the tone than the tale.
While the film isn’t top-notch, the true story it tells couldn’t have come at a more appropriate time.
Like D.W. Griffith’s landmark film, this will be remembered for unintended reasons.
The film is a fleet crowd-pleaser, but the thrills of the explosions should raise questions.
Medieval mockumentary, a DIY gameshow, indigenous documentaries, moody sci-fi, and films about milk.
The remake of the ’60s Western classic is enjoyable but half-hearted.
The cinema needs women making movies about everyone and everything, including, sometimes, men.
Keeping the action to a mere six minutes, this unadorned film is still a testament to human grit.
The Seattle animator’s debut feature-length film is trippy, hilarious, and strangely meditative.
Of mucus and melodrama.
‘Southside With You’ is an interesting, but not necessarily compelling, take on the biopic form.
One of his many stops in the film is an Internet-addiction rehab center here in Washington.
In this film, everybody’s basically all right.
Honest but not maudlin, this movie has a few hard feelings and one thrown punch.