Wes Anderson’s Isle of Dogs shows why his style is suited for animation, even if still overbearing.
‘Love, Simon’ plays off ’90s tropes for its simple—but groundbreaking—gay high school story.
Armando Iannucci’s latest film provides razor sharp pseudo-historical satire.
While Stanley Tucci shines, ‘Submission’ feels uncomfortably pre-#MeToo.
Wickedly witty characters drive Sally Potter’s latest film.
The brilliant Chilean Oscar nominee actually lets a strong trans person play a lead trans role.
Film Stars Don’t Die in Liverpool fails to capture the magic of actress Gloria Grahame.
Black Panther builds a stunning sci-fi African world, but could use more comic book fun.
Lebanon’s Oscar-nominated The Insult captures the universality of devolving discourse.
Dirtbag tells the true story of the obsessive and difficult mountaineering legend, Fred Beckey.
The names we expect to be called at the Oscar nomination announcements (and ones that should be).
The Final Year takes viewers inside the unsuspecting last days of the Obama administration.
And a lot of well-known faces.
An exacting performance from Daniel Day-Lewis in this unconventional love story helps the director get back on track.
Jeff Gillespie’s treatment just doesn’t take Harding seriously.
A look back on the cinematic year that was.
With Downsizing, the director continues his exploration of humanity’s foibles in a very different filmic universe.
Tribalism aside, it was a banner year for film.
Gary Oldman and company don’t do the moment justice.
The latest from director James Ivory is a tad pretentious, very smart, and plenty beautiful.
