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Joaquin Phoenix captivates as a disheveled hitman in Lynne Ramsay’s hypnotic thriller.
Wim Wenders fails to return to form in the distant drama ‘Submergence.’
Edie Falco commands the screen in Lynn Shelton’s ‘Outside In.’
Steven Spielberg’s ‘Ready Player One’ delivers an occasionally thrilling VR pop culture overload.
Wes Anderson’s Isle of Dogs shows why his style is suited for animation, even if still overbearing.
‘Love, Simon’ plays off ’90s tropes for its simple—but groundbreaking—gay high school story.
Armando Iannucci’s latest film provides razor sharp pseudo-historical satire.
While Stanley Tucci shines, ‘Submission’ feels uncomfortably pre-#MeToo.
Wickedly witty characters drive Sally Potter’s latest film.
The brilliant Chilean Oscar nominee actually lets a strong trans person play a lead trans role.
Film Stars Don’t Die in Liverpool fails to capture the magic of actress Gloria Grahame.
Black Panther builds a stunning sci-fi African world, but could use more comic book fun.
Lebanon’s Oscar-nominated The Insult captures the universality of devolving discourse.
Dirtbag tells the true story of the obsessive and difficult mountaineering legend, Fred Beckey.
The names we expect to be called at the Oscar nomination announcements (and ones that should be).
The Final Year takes viewers inside the unsuspecting last days of the Obama administration.
An exacting performance from Daniel Day-Lewis in this unconventional love story helps the director get back on track.
And a lot of well-known faces.
Jeff Gillespie’s treatment just doesn’t take Harding seriously.
Gary Oldman and company don’t do the moment justice.