Film

Courtesy of StudioCanal
Courtesy of StudioCanal

‘I, Tonya’ Is Sympathetic, but Tone Deaf

Jeff Gillespie’s treatment just doesn’t take Harding seriously.

Courtesy of Focus Features

‘Darkest Hour’ Aims for an Oscar, but Misses Badly

Gary Oldman and company don’t do the moment justice.

Courtesy of Focus Features

Alexander Payne Delivers an Incredible Shrinking Film

With Downsizing, the director continues his exploration of humanity’s foibles in a very different filmic universe.

The Highfalutin’ Fantasy of ‘Call Me by Your Name’

The latest from director James Ivory is a tad pretentious, very smart, and plenty beautiful.

Frances McDormand plays Mildred Hayes in one of the year’s best, ‘Three Billboards Outside Ebbing, Missouri.’ Courtesy of Twentieth Century Fox

The Movies That Mattered in 2017

Tribalism aside, it was a banner year for film.

Frances McDormand plays Mildred Hayes in one of the year’s best, ‘Three Billboards Outside Ebbing, Missouri.’ Courtesy of Twentieth Century Fox
Courtesy of Blue Sky Studios

Ferdinand Is Too Big for Its Bullring

The modern take on the classic children’s story fails when stretched to feature length.

Courtesy of Blue Sky Studios

Things Get Messy in ‘On the Beach at Night Alone’

The latest from Hong Sang-soo is engaging, but maybe a little too real.

‘Wonder Wheel’ Needs Room to Breathe

Woody Allen’s latest is filled with dialogue, but what is it really saying?

Where to See ‘It’s a Wonderful Life’ in Seattle

On screen and stage.

Thelma. Courtesy of SF Studios Norway

‘Thelma’ Delivers a Scandinavian Version of the Devil You Know

The latest from Joachim Trier borrows liberally from its inspiration and finds its terror in the smaller moments.

Thelma. Courtesy of SF Studios Norway

Falling in Love With ‘Jane’

A fawning documentary gives us an uncritical look at a remarkable icon.

Courtesy of Cartoon Saloon

A Visual Marvel, ‘The Breadwinner’ Is a Little Too Heavy-Handed

The lessons in Cartoon Saloon’s latest are valuable ones, but the story suffers because of them.

Courtesy of Cartoon Saloon
Three Billboards Outside Ebbing, Missouri. Courtesy of Fox Searchlight

‘Three Billboards’ Dazzles With Dark Comedy and Deft Dialogue

With a well-crafted script and superior performances, the latest from director Martin McDonagh packs a punch.

Three Billboards Outside Ebbing, Missouri. Courtesy of Fox Searchlight

‘The Square’ Is Anything But

Funny, satirical, outrageous—director Ruben Östlund creates an arthouse roller-coaster ride.

Photo by Nicola Dove/Twentieth Century Fox
                                Josh Gad, left, and Johnny Depp star in Murder on the Orient Express.

Kenneth Branagh Brings Some Fun to ‘Murder on the Orient Express’

A starry cast, old-fashioned screenwriting, and a gigantic mustache make for a satisfying whodunit.

Photo by Nicola Dove/Twentieth Century Fox
                                Josh Gad, left, and Johnny Depp star in Murder on the Orient Express.

‘Thor: Ragnarok’ Weds Humor and the Hammer

The latest from Marvel injects its hero with much-needed levity.

Sparks Fly Amongst the Manure in ‘God’s Own Country’

Director Francis Lee takes viewer down to the farm for romance.

COURTESY OF FOX SEARCHLIGHT

‘Goodbye Christopher Robin’ Explores the Dark Side of Winnie-the-Pooh

The latest from Simon Curtis is a cautionary tale for the age of celebrity.

COURTESY OF FOX SEARCHLIGHT

The Truth and Beauty of ‘Human Flow’

Artist Ai Weiwei takes viewers to the borderlands for a bird’s-eye view of displacement