- Email Newsletters
- News & Comment
- Arts & Culture
- Special Content
- Print Edition
- Subscriber Center
With Downsizing, the director continues his exploration of humanity’s foibles in a very different filmic universe.
The latest from director James Ivory is a tad pretentious, very smart, and plenty beautiful.
Tribalism aside, it was a banner year for film.
The modern take on the classic children’s story fails when stretched to feature length.
The latest from Hong Sang-soo is engaging, but maybe a little too real.
Woody Allen’s latest is filled with dialogue, but what is it really saying?
On screen and stage.
The latest from Joachim Trier borrows liberally from its inspiration and finds its terror in the smaller moments.
A fawning documentary gives us an uncritical look at a remarkable icon.
The lessons in Cartoon Saloon’s latest are valuable ones, but the story suffers because of them.
With a well-crafted script and superior performances, the latest from director Martin McDonagh packs a punch.
Funny, satirical, outrageous—director Ruben Östlund creates an arthouse roller-coaster ride.
A starry cast, old-fashioned screenwriting, and a gigantic mustache make for a satisfying whodunit.
The latest from Marvel injects its hero with much-needed levity.
Director Francis Lee takes viewer down to the farm for romance.
The latest from Simon Curtis is a cautionary tale for the age of celebrity.
Artist Ai Weiwei takes viewers to the borderlands for a bird’s-eye view of displacement
Made from nearly 10,000 oil paintings, the film’s form alone justifies its existence.
A fitting final showcase for one of the century’s greatest character actors.
Frederick Wiseman’s documentary Ex Libris lets the library speak for itself.