Stage

Seeing the Seattle Opera’s <em>The (R)evolution of Steve Jobs</em> counts as screen time. Photo by Philip Newton

The Innovative Tech Disconnect of ‘The (R)evolution of Steve Jobs’

Like the technology Jobs pioneered, the Seattle Opera production is flashy but lacking in soul.

 

Susan Lieu performs a version of 140 LBS at Northwest New Works in 2018. Photo by Joe Iano

Susan Lieu Feels The Weight of Death and Beauty

Her one-woman show ‘140 LBS’ confronts her mother’s death via plastic surgery malpractice.

 

Pickwick’s Galen Disston stars as Drew in 5th Ave’s ‘Rock of Ages.’ Photo by Mark Kitaoka

Pickwick’s Galen Disston Takes the Stage in ‘Rock of Ages’

The local rocker steps outside his comfort zone for 5th Avenue Theatre’s ’80s hair metal jukebox musical.

 

Federal workers are welcome inside the walls of Benaroya Hall during the government shutdown. Photo by Brandon Patoc
Federal workers are welcome inside the walls of Benaroya Hall during the government shutdown. Photo by Brandon Patoc
The interrogation of Parolles serves as one of the comedic highlights in ‘All’s Well That Ends Well.’ Photo by John Ulman

‘All’s Well’ Doesn’t End Well

Despite strong performances and comedic zest, it’s hard to not get hung up on the befuddling ending of Seattle Shakespeare’s latest production.

The interrogation of Parolles serves as one of the comedic highlights in ‘All’s Well That Ends Well.’ Photo by John Ulman
Why can’t we all just get along? Lynch, Crocetto, and Rawls in ‘Il trovatore.’ Photo by Jacob Lucas

Seattle Opera’s High C’s Adventure

Turns out a conventional approach is best for Verdi’s notoriously implausible ‘Il trovatore.’

Why can’t we all just get along? Lynch, Crocetto, and Rawls in ‘Il trovatore.’ Photo by Jacob Lucas
Students of the TeenTix Press Corps Intensive bring a youthful prospective while taking in Seattle’s arts scene. Photo courtesy TeenTix

TeenTix Fosters the Next Generation of Arts Critics

Youths are engaging in critical arts thinking via the local nonprofit’s Press Corps Intensive.

Students of the TeenTix Press Corps Intensive bring a youthful prospective while taking in Seattle’s arts scene. Photo courtesy TeenTix
Charlie Parker’s jazz tale gets operatic as part of Seattle Opera’s upcoming season. Photo by Todd Rosenberg Photography

Seattle Opera Announces Its 2019–20 Season

A new jazz opera about a troubled genius highlights the lineup.

Charlie Parker’s jazz tale gets operatic as part of Seattle Opera’s upcoming season. Photo by Todd Rosenberg Photography
A view of Seattle Opera’s new home from Mercer Street. Photo by Sean Airhart

Seattle Opera’s New Heart of Glass

From its glittering face to the innovative performance possibilities within, the Opera Center was built for allure.

A view of Seattle Opera’s new home from Mercer Street. Photo by Sean Airhart
Book-It Rep’s ‘My Ántonia.’ Photo by John Ulman

In ‘My Antonia,’ Extraordinary Acting Packs a Punch

Book-It Rep’s diverse casting adds new depth to Willa Cather’s tale of friendship and hardship on the Great Plains.

Book-It Rep’s ‘My Ántonia.’ Photo by John Ulman
Sister act: Hana Lass (Elizabeth), Kelly Karcher (Lydia), Melanie Hampton (Jane), and Shanna Allman (Mary) in ‘Miss Bennet.’ Photo by Erik Stuhaug

Taproot’s Jane Austen Sequel Hails Mary

A character whose first draft got short shrift finally finds happiness in ‘Miss Bennet: Christmas at Pemberley.’

Sister act: Hana Lass (Elizabeth), Kelly Karcher (Lydia), Melanie Hampton (Jane), and Shanna Allman (Mary) in ‘Miss Bennet.’ Photo by Erik Stuhaug
‘In the Heights’ captures a big city neighborhood buzz at Seattle Rep. Photo by Michael Brosilow

Hitting the ‘Heights’

Seattle Rep’s production of ‘In the Heights,’ Lin-Manuel Miranda’s pre-‘Hamilton’ musical, is an energetic romp.

‘In the Heights’ captures a big city neighborhood buzz at Seattle Rep. Photo by Michael Brosilow
Mr. Daisey’s desk at Seattle Rep. Photo by Seth Sommerfeld

‘A People’s History’ Takes Aim at American Triumphalism

Mike Daisey’s 18-part monologue at Seattle Rep serves as an engaging, fiery, and confrontational history class.

Mr. Daisey’s desk at Seattle Rep. Photo by Seth Sommerfeld

Martial Arts at the Armory

Seattle Shakespeare’s affectionately traditionalist staging of Shaw’s unsentimental wartime satire, ‘Arms and the Man.’

‘And In This Corner: Cassius Clay’ Fights the Good Fight

The enthusiastic Seattle Children’s Theatre production makes the story of a young will-be Muhammad Ali fun for kids.

Valtesse doesn’t mess around with its elaborate cabaret style. Photo by Jules Doyle

Valtesse’s Art of the Tease

The new female-driven cabaret company strives for a noir cinematic sophistication.

Valtesse doesn’t mess around with its elaborate cabaret style. Photo by Jules Doyle
Nic Kay will perform at On the Boards’s Solo: A Festival of Dance. Photo by Sarah JiRhee

On the Boards and Velocity Dance Center’s New Performative Horizons

The local arts institutions continue to push creative bounds under changing leadership.

Nic Kay will perform at On the Boards’s Solo: A Festival of Dance. Photo by Sarah JiRhee
The finale of ‘Volta’ brings the X Games to Cirque du Soleil. Photo by Patrice Lamoureux

Cirque du Xtreme

While thematically uncentered, Cirque du Soleil’s BMX-adorned Volta still entertains.

The finale of ‘Volta’ brings the X Games to Cirque du Soleil. Photo by Patrice Lamoureux

Mozart Meets #MeToo in The Core Ensemble’s ‘Don Giovanni’

An ambitious, imaginative, double-cast production in which one sings, the other doesn’t.

Simply the Bess

Seattle Opera’s ‘Porgy and Bess’ is a must-see production that feels engaged with the cultural conversation.