‘O+E’ strips things down for an all-female reimagining of a Greek myth.
Oscar Wilde’s comedy demonstrates the pitfalls of virtue.
The performance of Seattle Opera’s Aida can’t always match its stunning design.
The slate includes Lin-Manuel Miranda’s ‘In the Heights,’ Mike Daisey, and the Fremont Troll.
High schoolers draw parallels between modern and historic struggles after watching the Broadway hit.
Find hope in performances of musical favorites like ‘Annie’ and ‘Come From Away.’
Seattle Opera goes back to Shakespeare and enriches a slender but sparkling composition.
Technique and transgression fill stages this spring as two styles become one.
Evan Flory-Barnes is finally stepping into the theatrical spotlight. All it took was some therapy.
Hir at ArtsWest gives trans voices a stage to dismantle the normative.
Get ready for the Seattle debut of the smash-hit musical at the Paramount Theatre.
Don’t throw away your daily shot at scoring $10 seats to see the Broadway sensation.
The companies clean out their closets and the costume crowd lines up.
The high-camp cabaret approaches horror from a queer perspective.
Café Nordo’s new production envisions the calamity of corporate control in Cascadia 2046.
Benjamin Benne’s newest play wittily dives into rock and representation.
Faith, family, and feminism lie at the heart of this new play by Ayad Akhtar.
Malika Oyetimein and Myra Platt’s production portrays Angelou through the ages.
A conversation with ACT’s John Langs on whether old dramas should keep getting restaged in Seattle.
In her one-woman show, the artist/activist plays multiple generations of her family.
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