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Stage
Altiveros and Gartner as the mythic couple in Seattle Opera’s ‘O+E.’ Photo by Philip Newton
The Women of Seattle Opera Bring a Legend...
By Gavin Borchert • June 4, 2018 1:15 pm

‘O+E’ strips things down for an all-female reimagining of a Greek myth.

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Davis’ Duchess explains the rules to Burton’s Lady Windermere. Photo by Robert Wade
Taproot Theatre Reveals Victorians’ Secrets
By Gavin Borchert • May 21, 2018 3:15 pm

Oscar Wilde’s comedy demonstrates the pitfalls of virtue.

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Anita Yavich’s costumes combine stunningly with RETNA’s backdrops in Seattle Opera’s <em></em><em>Aida</em>. Photo by Philip Newton
Sing Like an Egyptian
By Gavin Borchert • May 9, 2018 1:30 am

The performance of Seattle Opera’s Aida can’t always match its stunning design.

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Seattle Rep Announces Its 2018–19 Season
Seattle Rep Announces Its 2018–19 Season
By Seth Sommerfeld • March 26, 2018 10:00 am

The slate includes Lin-Manuel Miranda’s ‘In the Heights,’ Mike Daisey, and the Fremont Troll.

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Students perform their original pieces prior to watching ‘Hamilton’ on March 14, 2018. Photo by Christopher Nelson
Seattle Students Find Empowering Lessons in ‘Hamilton’
By Melissa Hellmann • March 16, 2018 5:15 pm

High schoolers draw parallels between modern and historic struggles after watching the Broadway hit.

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<em>Come From Away</em> kicks off 5th Avenue Theatre’s 2018–19 season. Photo by Matthew Murphy
5th Avenue Theatre Reveals Its 2018–19 Season
By Molly Quinton • March 13, 2018 3:30 pm

Find hope in performances of musical favorites like ‘Annie’ and ‘Come From Away.’

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Alek Shrader and Daniela Mack as Berlioz’s titular sparring lovers. Photo by Jacob Lucas
The Merry War of ‘Beatrice and Benedict’ Shines...
By Gavin Borchert • February 27, 2018 9:30 am

Seattle Opera goes back to Shakespeare and enriches a slender but sparkling composition.

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Complexions Contemporary Ballet. Photo by Ani Collier
The Bleeding of Ballet
By Sandra Kurtz • February 14, 2018 1:30 am

Technique and transgression fill stages this spring as two styles become one.

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Evan Flory-Barnes (center) preps for On Loving the Muse and Family with his therapist. Photo by Shasta Bree
Working It Out
By Jacob Uitti • February 14, 2018 1:30 am

Evan Flory-Barnes is finally stepping into the theatrical spotlight. All it took was some therapy.

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The family of <em>Hir</em>. Photo by John McLellan
The Sunset of Masculinity
By Becs Richards • February 14, 2018 1:30 am

Hir at ArtsWest gives trans voices a stage to dismantle the normative.

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Photo by Joan Marcus
A Beginners Guide to ‘Hamilton’
By Seth Sommerfeld • February 6, 2018 7:00 am

Get ready for the Seattle debut of the smash-hit musical at the Paramount Theatre.

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(Image courtesy <em>Hamilton</em>.)
Get Ready to Play the ‘Hamilton’ Lottery
By Seth Sommerfeld • January 29, 2018 12:30 pm

Don’t throw away your daily shot at scoring $10 seats to see the Broadway sensation.

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Quinn Alexa Dailey tries on one of the Valkyrie costumes from Wagner’s Ring Cycle. Photo by Nate Watters
A Second Act for Costumes from Seattle Opera...
By Peter Johnson • October 23, 2017 1:30 am

The companies clean out their closets and the costume crowd lines up.

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BenDeLaCreme’s Queer, Freaky, and Flirtatious “Gaylord Manor”
BenDeLaCreme’s Queer, Freaky, and Flirtatious “Gaylord Manor”
By Becs Richards • October 18, 2017 1:30 am

The high-camp cabaret approaches horror from a queer perspective.

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Onerus’ Sci-Fi Theatre Cautions a Tech-Centric Future
Onerus’ Sci-Fi Theatre Cautions a Tech-Centric Future
By Becs Richards • October 11, 2017 1:30 am

Café Nordo’s new production envisions the calamity of corporate control in Cascadia 2046.

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(L-R) Grace Carmack, Sophie Franco, and Jordi Montes. Photo by Joe Moore
‘las mariposas Y los muertos’ Explores Hipster Appropriation...
By Becs Richards • October 4, 2017 1:30 am

Benjamin Benne’s newest play wittily dives into rock and representation.

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Alaji (Mahwish) and Monika Jolly (Zarina). Photo by Michael Brunk.
Ayad Akhtar’s ‘The Who & The What’ Takes...
By Becs Richards • September 27, 2017 1:30 am

Faith, family, and feminism lie at the heart of this new play by Ayad Akhtar.

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Aishé Keita (Young Maya). Photo by John Ulman
“I Know Why the Caged Bird Sings” Deftly...
By Becs Richards • September 20, 2017 1:30 am

Malika Oyetimein and Myra Platt’s production portrays Angelou through the ages.

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Dusting the Crust Off ‘The Crucible’
Dusting the Crust Off ‘The Crucible’
By Becs Richards • September 13, 2017 1:30 am

A conversation with ACT’s John Langs on whether old dramas should keep getting restaged in Seattle.

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Photo by Dangerpants Photography
Sara Porkalob’s ‘Dragon Lady’ Is a Celebration of...
By Becs Richards • September 6, 2017 1:30 am

In her one-woman show, the artist/activist plays multiple generations of her family.

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