Alex Under, “El Ordenador Personal” (Areal). Metope, “33” (Trapez). DJ Koze, “My Grandmotha” (Kompakt). The MFA, “The Difference It Makes…
From Primus to the Frog Brigade.
Believe it or not, there are people who want her to make it.
This week’s specialty screenings and venues.
Allison Narver returns to her theatrical roots at The Empty Space.
While growing up, I was at the mercy of my mom. My social life was confined to whoever she allowed…
Television are still cooler than you.
The rise of an impossible breed: the celebrity violinist.
ANOTHER TORCH SONGI really enjoyed Chris Nelson’s list of critic-baiting song lyrics [“I wanna bite the hand that feeds me,”…
The arts converge at the Showbox to create . . . what, exactly?
Everyone fantasizes about being friends with a pop star sometimes. That’s why Britney remains so popular with young girls; minus…
Hushed spaces, groovy parties, shameless commerce: three sides of the Seattle art scene.
With drum-and-bass growing stale, Ming and FS tackle songwriting.
Unknown Hinson fights for country music, bay-beh.
Comcast deal would fund new arts show on Seattle Channel, but force layoffs at Community Access Network.
4 p.m. Friday, June 27, Seattle Weekly HQ. Ever incur the ire of your editors by fucking up typeface and…
Also: Love & Taxes, Flo & Glo.
A new film riffs on selling souls to rock ‘n’ roll.
New collections of old sounds.
Seattle Weekly: When did Sea.Mine, your excellent indie-pop band, begin? Scott Teske (bassist): Our earliest incarnation was in February 2004….
