After years of false starts and half-realized efforts, Sweetlou finally arrive.
“This is Michael Medved, your cultural crusader!” says the Northwest’s most influential film critic, dressed Seattle casual in a plaid…
Jacko and me: a look back.
Smith is mighty Listening to Andy Smith is like living inside a musical riddle, as each song begs the question…
Rum, sodomy, and the Lashes at South by Southwest.
VALENTINO DANCES, Music of Dominick Argento. Eiji Oue, conductor, with the Minnesota Orchestra (Reference Recordings). Recorded on 24-bit HDCD equipment,…
After 20 years, skate-punk pioneers JFA are still on a roll.
“Emerson said, ‘Life is not so short that there is not always time for courtesy.’” —Gary Gilmore in The Executioner’s…
Send listings two weeks in advance to visualarts@seattleweekly.com. Lectures and Events Artist Lecture: Mary Randlett The Seattle photographer got her…
Or how to succeed in “the very business we call show.”
A hip-hop compilation and commentary, Side A.
Kronos Quartet, Cat Power, and guilty pleasure Blow Out top our list.
Stepping through the symbolic gateway to Sleater-Kinney’s new album.
This week’s music calendar.
Fifteen years on, Seattle musicians still living the improv-able dream.
Joel Schumacher mucks up Andrew Lloyd Webber. Only his phans will be shocked and disappointed.
Trapeze, fettuccini, and rosy charm at a Pike Place Market institution.
What’s up with Tortoise’s alter ego?
“You do whatcha can with whatcha got.” That’s the Gnome’s new motto after his weekend at the lackluster North by…
Send listings two weeks in advance to visualarts@seattleweekly.com. Lectures and Events Eduardo Calderon The photographer discusses his work as part…
