Johnny Dowd stretches out with The Pawnbroker’s Wife.
Opens at Harvard Exit, Fri., July 14. Rated PG-13. 104 minutes.
Dear margaret, (yes, I deliberately intended to spell your name without capital letters as I feel you do not deserve…
“IT’S NOT JUST music! It’s not just music!” OK, OK, Bumber-authorities, we hear you. The truth is that there’s always…
HELLCAB Hellcab is a collection of scenes from the life of a Chicago cab driver on one bitterly cold, 14-hour…
Audiophiles will do just about anything that sounds good.
What the hell did we do to piss off Bebel Gilberto? The mercurial Brazilian songstress releases one of 2000’s most…
Advance registration or reservations are recommended for most events. Prices exclude tax and gratuity unless otherwise noted. ON THE PLATE…
More Kudos for Sher Bartlett Sher‘s Intiman Theater just won the coveted regional Tony Award, and the New York production…
Imaginational Anthem traces an acoustic line between the New Weird and the Old Eccentric.
A musical portrait of Rachel Carson offers more mystery than revelation.
RANCID, Rancid (Hellcat/Epitaph) Up until the late 1980s, there was a strictly enforced rule that at least 90 percent of…
Questions and comments and things: I’m on loan from USA Today and CNN, subbing for my good friend the Metro…
The RIAA’s crack team of lawyers chomp on log-sized cigars and clank their three-finger martinis in victory. They have reason…
A lively sister act shakes up chamber music.
Richie Hawtin reanimates the DJ-mix CD and stretches his own musical parameters.
Stretching genre boundaries with DJ/producers Amon Tobin and Mixmaster Morris.
A musical with smoke and fire, but no real passion.
The Stars think their music can change your life.
AUDIO BULLYS Ego War (Astralwerks) It’d be easy to dismiss the Audio Bullys as an electron-enriched Happy Mondays update for…
