New York, roughly one month after Sept. 11, is completely and not at all the same. American flag symbols cover…
Disregard those premature obituaries; Northwest orchestras are still thriving below the headlines.
Just as I began freelancing for the Weekly in late 2000, I recall flipping on VH1 to find then music…
Omar Sosa’s global sound has African roots and many flowers.
Lots of folks bitch about the “Hallmark holidays,” the ones engineered primarily to pump up the coffers of the confectionary,…
An experimental opera in which myth meets movement.
From the moment Bill Frisell walks on stage, it’s clear that he’s of a mind that has multiple things ambling…
New action heroes for a new kind of war.
Dancing on the artsEdge.
Seattle Weekly: It’s 10 a.m. I didn’t know rockers got up so early these days. Mark Arm (vocalist and guitarist):…
WINNERS (READERS PICKS)
Our classical music critic airs his concertgoing pet peeves.
Felix da Housecat, Superpitcher, and Erlend Øye usher dance music into a kinder, smoother era.
Sally Crewe and Wide Right’s Leah Archibald face the uncertain future.
Tom DeLay and Sam Raimi get what’s coming to them?
A choreographer gets her due.
BEST PLACE TO STAGE MURDER BY DEFENESTRATIONIt’s a gruesome kind of killing, unless it’s done gloriously, with style—for example, if…
Bumbershoot mini-movies are in long supply.
And Then the Crowd Showed Up by Tobin Sprout. What a beautiful, brilliant, flimsy little song. The perfect mix of…
Singer-songwriter Bill Fox’s circuitous path to cult status.
