Alexander and the Terrible, Horrible, No Good, Very Bad Day Life is unfair, especially for younger brothers, and Judith Viorst’s…
Hellhammer’s black metal band overcame bloody controversy to get back on the screeching track.
Psycho-country music stars like Porter Wagoner were violent before Eminem made violence cool.
Wim Wenders’ commercial for Buena Vista Social Club.
Lee Ranaldo on reading, writing, and the secret of success.
ONE OF THE Port of Seattle’s top backers of mooring yachts at Fishermen’s Terminal is leaving his Port job. The…
The story of Frank Colacurcio, the Bellevue boy who built a notorious nightlife empire.
Ashley Kahn’s A Love Supreme celebrates John Coltrane’s masterpiece.
High above on the catwalks, hot undulating babes undulate hotly in halter tops and short shorts. Images of go-go girls…
A year ago, Seattle’s Fantagraphics was on the brink of bankruptcy. Now it’s in the black, thanks to good ol’ Charlie Brown—and a pair of dogged believers who turned a cranky fanzine into the most widely respected comics publisher in America.
Locust / Foot in Mouth This double bill pairs two fast-rising groups from the local scene. Amy O’Neal of Locust…
The other day, I had lunch with a friend I hadn’t seen in a couple years. Tucking into her roast…
Advance registration or reservations are recommended for most events. Prices exclude tax and gratuity unless otherwise noted. ON THE PLATE…
Harborview Medical Center is not secure. Just ask the security guards.
Send listings two weeks in advance to visualarts@seattleweekly.com. Lectures and Events In Resonance: Forum on Sound-Based Art Artforum critic Christoph…
Organic meets high-tech in Grandaddy’s songs of deserts and superhumans.
Today’s lesson in integrity comes from—who knew?—the White Stripes’ Meg and Jack White, who recently turned down $1 million to…
The Catheters get curious on their second album.
The week’s local music calendar.
From 1979 to somewhere in the mid-’80s, me and Mark Smith of the Fall, the second greatest band of the…
