Revisiting the materials and manners of early opera.
I spent this weekend camping by a beautiful stream a bit north of Cle Elum–and although I was partially distracted…
OK, so speaking of campfires, JanSport’s just announced details of their Bonfire Sessions concert for 2011–last year the Cave Singers…
Tomorrow, five of Seattle’s proudest rock bands–Witch Gardens, followed by a lineup that could read like the All Stars of…
Laurie PearmanThis shot of Tyler Ramsey at the Tractor–by then-intern Laurie Perman–remains one of my favorite Reverb originals.Are you a…
Yesterday I chatted briefly with Dave Einmo (of Head Like a Kite) and Asya (of Smoosh) who were laying down…
At ACT, Victorian cures for female problems.
The U.S. launch of Spotify is enticing listeners–and labels–to give subscription services another look.
From Adele and Arctic Monkeys to the Go-Go’s and Calexico.
A semi-autobiographical, semi-farcical look at theater and race.
The film industry mounts a sketchy legal strategy in response to illegal downloads.
Grant Olsen mines pop’s past, and hits the jackpot with The Ornament.
A Seattle festival launches in the shadow of Warped’s enduring legacy.
Making a day of it at the Olympic Music Festival, where swallows and Schumann mingle.
The Elliott Smith wall in Silver Lake, Calif.–the red, white, and black muraled wall on Sunset Boulevard in front of…
FRIDAY 8/12 Film: The Wanderer Jim Jarmusch‘s rarely screened first feature, Permanent Vacation (1980), pointedly contrasts the bustle of NYC’s…
Hello, Reverb readers! Though I have seen a ton of bands recently (six or more every Friday and Saturday for…
Tomorrow, August 6, would have been Elliott Smith’s 42nd birthday. In honor of that milestone, the kind folks at Suicide…
Foster The PeopleBy the time you read this, Foster the People will have just finished performing its jangly indie-pop ….
Sarah Anne Lloyd, 2011.This week’s TV Dinner was gripped with an admittedly tough choice between two immediately relevant television hype…
