Brilliantly minimalist songwriting from Ings, ass-shaking gold from Ca$h Bandicoot, four overwhelming records from Carlos Garcia, and spacey contemplations from Astro King Phoenix.
A decade in, the Seattle orchestral indie outfit has gone pop. Lead singer Matt Bishop tells us why.
From dirty diapers to Girl Scout cookies to quality journalism, you never know what you’ll find.
Using her own myths, the author fills in the gaps in the history of her hometown of Kolkata.
Pacific Northwest Ballet director Peter Boal often uses the annual “Director’s Choice” program to introduce local audiences to new works by new choreographers. But this time, with a mix of revivals and restagings, we’re getting a new view of dancemakers we’ve already seen.
The rich and the poor, the aware and the unaware, the passionate and the hypocritical—they’re all given voice in Zaher’s poems.
The album, which chronicles the artist’s experience being evicted from his home, is impressive, especially considering it is being narrated so soberly by a 21-year-old.
From fantasy conventions to skronky no-wave farewells, all the best things to do in Seattle this week.
How the actor taking on the role for 5th Avenue Theatre’s production of A Night With Janis Joplin preserves her vocal chords and gets closer to the late, great singer.
Building on the success of their “Curry NA Hurry” video, Jamil Suleman and his co-conspirators are attempting to build an indie media empire.
For the final chapter in his Maraqopa Trilogy, the Seattle songwriter returns from the furthest reaches of faith with a new old sound.
A win in Washington state may expose a paradoxical fact of the capital-S Socialism that Bernie Sanders preaches—that his success is a phenomenon driven by a demographic that is doing quite well for itself in the capitalist system.
It got steamy at the Tractor Tavern as Red Bull brought out the Seattle music scene royalty.
Esperanza Spalding, Susan Orlean, The Flavr Blue, David Crosby and more.
In its thoroughly satisfying and powerful production of Mary Stuart, Donizetti’s 1835 tale of the battle between Elizabeth I and Mary, Queen of Scots, this production shows everyone how to do it.
The fifth annual APRIL festival will demonstrate a few signs of maturity. For one thing, the early-evening happy-hour readings that used to be an integral part of the festival experience have disappeared.
Constructed from poems, chunks of prose, sheet music, photographs, collage, and even the script for an opera, Hardly War is unlike anything you’ve ever seen.
A new report shows how developers got their voice heard in the 2015 election.
Life was hard for Moses Seattle, and it ended sadly, but there has never been another person from our region remotely like him, for his short life connects the ancient mythology of the Puget Sound area to our modern era.
Stage Can Can Cabarets Seattle’s center for neo-burlesque presents shows and/or live music nearly every night; see thecancan.com for full…
