Our public discourses on art rarely match our private pleasures; what’s inexcusable to Ebert is ecstasy for the rest of…
(One Figurative, One Literal)
Send listings two weeks in advance to visualarts@seattleweekly.com. Lectures and Events ART/NOT TERMINAL I don’t think you can get any…
A history of Seattle’s hottest art punk band in four and a half chapters.
Two recent titles show how power grabs and secret plots never go out of style. Or print.
Roger Oglesby, the Seattle P-I’s new publisher, actually praises the competition.
Send listings two weeks in advance to info@seattleweekly.com. Glow: Living Lights Pacific Science Center’s new exhibit explores the strange phenomenon…
WHO HAS BEEN mad enough to cut the locked hoods off city parking meters in Pioneer Square, remove city street…
Helen Walsh, Kristine McKenna, Terry Gross, and Audrey Young.
Sept. 1724, 2003
THE MURDER CITY DEVILS Thelema EP (Sub Pop) Seattle’s grittiest rock gang wrings art out of sludge. King County ain’t…
Best BarnIt’s funny that you publish an article (“Pottery Barn Nation,” 7/29) complaining that Northwest consumers have become more concerned…
Alexander Payne shows Hollywood how comedy was done when it was done right
Seattle’s loss is Germany’s gain, as the Walkabouts perfect the art of musical reinvention.
The UW installs a monument to our country’s oldest living freedom fighters.
An idea on why there seems to be a lack of desirable dates: Most people want better than what they…
We always knew this rock ‘n’ roll thing was a debaucherous gig, but really, it seems like the Croc got…
A new documentary is all over the electronica map.
Editor’s Note: This is a memo to Village Voice Media (VVM) employees regarding the merger between Village Voice Media, owner…
Heavy Hitter We’re not sure what a 9 lb hammer is, but we do know there’s a band of that…
