Achieving utopia, if only on stage
WEDNESDAY VISUAL ARTS FOLKLORE Seattle photographer Glenn Rudolph has a knack for finding weirdness on the margins: mysterious narratives set…
He’s died, risen, and fed the masses on pudding. So what will Jason Webley do this Halloween?
Seattle Weekly: You do this keytar-based jazzercise/electro-pop fusion thing—how did you develop your act? Anna Oxygen: I grew up recording…
A Chinese American chef loves ’em and leaves ’em.
Most of the Net is still a consensual hallucination—there’s a there there, but only if we agree to visit it;…
Valid or not, comparisons to the deviously escalated Vietnam War are hard to dismiss these days.
A Martha Graham masterpiece—once nearly ‘protected to death’—stretches its wings at Cornish College of the Arts.
IF YOU WERE an N.Y.C. resident and tabloid reader, as I was, in the late ’80s, Capturing the Friedmans (which…
Seattle Weekly scribes select the year’s best records.
Local artist Crites has been painting mug shots of criminals on brown paper bags since 1999. Using vivid acrylic colors…
THERE ARE ALWAYS signs, but they aren’t always readable. Trevor Simpson, 16, was in a long funk—sleepless, and he had…
Peggy disappoints, but Scott delivers.
Beck goes down a personal path and makes a Sea Change.
If something happens, the feds can’t say Ricky Hubbard didn’t warn them.
How a kid became a killer, almost, during the frustrating first Gulf War.
A former fifth-grade teacher pleads guilty to child molestation, a former pupil sues the Seattle School District, and it turns out that years of questionable behavior at this grade school was no secret.
It may seem like a long trip just to get happy, but the escalator sky-ride to the top of Pacific…
Director Mary Zimmerman finds success telling tales out of school.
