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    Film
    How could anyone (meaning us) be mean to Watts?
    Funny Games: Michael Haneke Tortures Naomi Watts
    By Jim Ridley • March 11, 2008 12:00 am

      An easy movie to despise but an impossible one to shake, Michael Haneke’s brilliant exercise in audience thumb-screwing—a virtual…

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    Özen hopes for better days.
    Time and Winds: Minimalism From Turkey
    By Ed Gonzalez • March 11, 2008 12:00 am

      Time and Winds is a film bewitched by the rhythms of everyday life in a remote Turkish village. Director…

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    Markovics has no interest in heroics.
    The Counterfeiters: The Holocaust Again, Fresh From the...
    By Ella Taylor • March 4, 2008 12:00 am

    Near the beginning of The Counterfeiters, a fact-based Holocaust drama by Austrian filmmaker Stefan Ruzowitzky, we meet Jewish money forger…

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    Whatever the accent, Adams can do no wrong.
    Miss Pettigrew Lives for a Day: Amy Adams...
    By Ella Taylor • March 4, 2008 12:00 am

      For an obscure tale of a virginal London governess who discovers her true calling running interference for a giddy…

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    Guitar hellion Amelia.
    Girls Rock!: Meet the New Radiohead?
    By Rachel Shimp • March 4, 2008 12:00 am

        “That girl thinks she’s the queen of the neighborhood—I’ve got news for you, SHE IS!” Bikini Kill, of…

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    Balibar is a veteran of Rivette’s games.
    The Duchess of Langeais: More of Jacques Rivette’s...
    By Nathan Lee • March 4, 2008 12:00 am

      Having returned from Africa, “held prisoner by savages for two years before fleeing,” the Marquis de Montriveau (Guillaume Depardieu)…

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    Kidman appears as her serene self in Margot.
    Yes, Nicole Kidman Acts Despite the Botox
    By Robert Wilonsky and Jordan Harper • March 4, 2008 12:00 am

    American Gangster Universal, $29.98 Director Ridley Scott’s take on the true-life tale of Harlem heroin kingpin Frank Lucas didn’t need…

    Read Story

    Statham and Burrows in their ’70s finery.
    The Bank Job: Jason Statham Goes Back to...
    By Robert Wilonsky • March 4, 2008 12:00 am

    The English media have spent the better part of a year back-and-forthing over the true-or-false plot points of the 1971-set…

    Read Story

    New moms fight HMO profiteering!
    The Business of Being Born: Eeeww! Ricki Lake...
    By Julia Wallace • February 26, 2008 12:00 am

      Most of the advance buzz about The Business of Being Born has centered around an image of its producer,…

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    Elkabetz brings the heat to the desert.
    The Band’s Visit: Peace in the Middle East...
    By Scott Foundas • February 26, 2008 12:00 am

    The Band’s Visit made headlines last fall after being disqualified as Israel’s foreign-language submission to the 2008 Academy Awards—an ironic…

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    Harrelson, not Ferrell, is the reason to see this movie.
    Semi-Pro: Woody Harrelson Outjumps Will Ferrell
    By Robert Wilonsky • February 26, 2008 12:00 am

      Better than Blades of Glory, which wasn’t nearly as good as Talladega Nights, which was a little better than…

    Read Story

    Bennett is a tasty lieutenant indeed.
    Military Intelligence and You!: Shallow Satire in Retro...
    By Adam Nayman • February 26, 2008 12:00 am

      There’s an amusing 15-minute short buried in Dale Kutzera’s debut feature, a spoof of World War II–era Army training…

    Read Story

    McAvoy gets to nose...er, know Ricci.
    Penelope: Christina Ricci as Porcine Sex Symbol
    By Nick Pinkerton • February 26, 2008 12:00 am

      “A Fairy Tale Like No Other”? Penelope‘s influences are right up front—there’s the Tim Burton production design (overstocking each…

    Read Story

    Extra credit to those who can identify the artists.
    The Cool School: California Mods Define an Era
    By Ron Stinger • February 19, 2008 12:00 am

    Taking its title from a 1964 Artforum article linking the rebellious spirit and bop attitudes of West Coast art to…

    Read Story

    Roche is so not worth it.
    Eden: What a Cook-Tease
    By Brian Miller • February 19, 2008 12:00 am

      The movies could use more performers who look as if they’d just stepped off the opera stage. We need…

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    “Rewind! Rewind!” Whitaker (left) coaches Quaid and fellow agent Matthew Fox on the ways of technology.
    Vantage Point: Even Matthew Fox Cannot Save the...
    By Scott Foundas • February 19, 2008 12:00 am

    Remember the 1985 movie version of the Parker Brothers whodunit board game Clue, with its pre-DVD-era gimmick of multiple endings?…

    Read Story

    Ribas makes an astonishing debut.
    Alice’s House: Another Middling Art-House Movie
    By Julia Wallace • February 19, 2008 12:00 am

      Alice’s House is an utterly average foreign art-house film, with all the strengths and flaws that label implies. Writer-director…

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    Ramsey just wants to escape.
    The Signal: Blood! Give Us More Blood!
    By Mike Seely • February 19, 2008 12:00 am

      Among the most graphically violent works of art ever committed to celluloid, this mindblower of a film transcends the…

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    A keyboard craftsman at work
    Note by Note: World’s Best Steinway Infomercial
    By Jim Ridley • February 19, 2008 12:00 am

    Note by Note Given rapt attention and care in the framing, there is no more engrossing subject than man at…

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    Charlie Bartlett: Not Enough Teen Angst
    Charlie Bartlett: Not Enough Teen Angst
    By Ella Taylor • February 19, 2008 12:00 am

      Like most wanna-be heroes of the eager-to-please teen comedy, poor little rich boy Charlie Bartlett (Anton Yelchin) is too…

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