The ascension of poet Heather McHugh.
Ted Hughes’ collection breaks his Sylvia silence, but is it good poetry?
D.B., The Dog Walker, and How Soccer Explains the World.
Marilynne Robinson and Malcolm Gladwell.
The story of a small arts festival that became a Northwest tradition, told by the people who lived it.
A traveling DJ school sees Seattle as fertile territory for musical innovation.
Two new books show why porn is so pervasive—and so hard to put down.
Stephanie Kallos and Anne Thomas Soffee.
Corpus Christi’s Jesus lacks passion.
Send listings two weeks in advance to visualarts@seattleweekly.com. Lectures and Events Artifact Identification Day at the Burke Have a Native…
In which the legendary Spenser reemerges as a female private eye.
WEDNESDAY STAGE MOVIN’ OUT Some things have to be seen to be believed . . . like, say, goddess choreographer Twyla Tharp fashioning a…
Two ‘concentration camp’ operas have Seattle debuts.
ACT’s cast does brilliantly by The Goat, but it’s only half a masterpiece.
Matt Richter opens his third greenhouse for the arts.
The clanging, kinetic world of Lelavision.
SERENADE. David Daniels, countertenor. (Virgin Classics). From the first notes of pianist Martin Katz’s caressing introduction to “Adelaide,” Beethoven’s extended…
More than a thousand letters reveal a passion for living and loving.
Passport extols the painful joys of travel and the universal search for companionship.
