Narrative, when you find it in the visual arts, is usually thick with mystery. In paint and photography, you don’t…
At 88, Northwest artist William Cumming has a legacy of vibrant art and an equally colorful story. A Depression-era survivor,…
A biography shows that Al’s more complex than you’d think.
DARK RIDE Open Circle Theater; ends Sun., Feb. 29 You can tell that director José Amador has at least a…
Lingo dancetheater’s Nourish presents movement with a meal.
That subject of scorn, the TV, brings comfort as well as entertainment.
The art-protest band is determined to disrupt. Plus: Next Stage Dance Theatre and Open Circle’s In the Wabe.
As long as you love him…
In this new SAM show, they do amazing things with fibers.
On Phone Nutter: Hello? Broiler: Hello, this message is for Danny Nutter. Tell him that Markie Broiler called at 8:15am….
Spying on dancers in Crispin Spaeth’s latest.
New City Theater plugs into its new digs with a work by performance artist John Jesurun.
Seattle’s most popular chef finally commits to print.
You can finally pull your head out. Of a sack, that is, and proudly announce to the world that you…
Baja to Vancouver’ has its pleasures, but why do they all seem so familiar?
Gulliver doesn’t travel well at Con Works.
Aaron Copland’s Third Symphony captures the sound of a nation.
An opinionated guide to this week’s gallery and museum shows.
Send listings two weeks in advance to visualarts@seattleweekly.com. Lectures and Events Benefit for Bamboo at Roq la Rue This one-night…
Lauren Weedman turns social work into autobiographical theater.
