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    Film Reviews
    The Highfalutin’ Fantasy of ‘Call Me by Your Name’
    The Highfalutin’ Fantasy of ‘Call Me by Your...
    By Robert Horton • December 20, 2017 1:30 am

    The latest from director James Ivory is a tad pretentious, very smart, and plenty beautiful.

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    Alexander Payne Delivers an Incredible Shrinking Film
    Alexander Payne Delivers an Incredible Shrinking Film
    By Robert Horton • December 20, 2017 1:30 am

    With Downsizing, the director continues his exploration of humanity’s foibles in a very different filmic universe.

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    Frances McDormand plays Mildred Hayes in one of the year’s best, ‘Three Billboards Outside Ebbing, Missouri.’ Courtesy of Twentieth Century Fox
    The Movies That Mattered in 2017
    By Robert Horton • December 20, 2017 1:30 am

    Tribalism aside, it was a banner year for film.

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    Courtesy of Focus Features
    ‘Darkest Hour’ Aims for an Oscar, but Misses...
    By Robert Horton • December 20, 2017 1:30 am

    Gary Oldman and company don’t do the moment justice.

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    Courtesy of Blue Sky Studios
    Ferdinand Is Too Big for Its Bullring
    By Robert Horton • December 13, 2017 9:00 am

    The modern take on the classic children’s story fails when stretched to feature length.

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    Things Get Messy in ‘On the Beach at Night Alone’
    Things Get Messy in ‘On the Beach at...
    By Robert Horton • December 13, 2017 1:30 am

    The latest from Hong Sang-soo is engaging, but maybe a little too real.

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    ‘Wonder Wheel’ Needs Room to Breathe
    ‘Wonder Wheel’ Needs Room to Breathe
    By Robert Horton • December 6, 2017 1:30 am

    Woody Allen’s latest is filled with dialogue, but what is it really saying?

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    Falling in Love With ‘Jane’
    Falling in Love With ‘Jane’
    By Robert Horton • November 29, 2017 1:30 am

    A fawning documentary gives us an uncritical look at a remarkable icon.

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    Thelma. Courtesy of SF Studios Norway
    ‘Thelma’ Delivers a Scandinavian Version of the Devil...
    By Robert Horton • November 29, 2017 1:30 am

    The latest from Joachim Trier borrows liberally from its inspiration and finds its terror in the smaller moments.

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    Courtesy of Cartoon Saloon
    A Visual Marvel, ‘The Breadwinner’ Is a Little...
    By Robert Horton • November 22, 2017 1:30 am

    The lessons in Cartoon Saloon’s latest are valuable ones, but the story suffers because of them.

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