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‘Love, Simon’ plays off ’90s tropes for its simple—but groundbreaking—gay high school story.
Armando Iannucci’s latest film provides razor sharp pseudo-historical satire.
While Stanley Tucci shines, ‘Submission’ feels uncomfortably pre-#MeToo.
Wickedly witty characters drive Sally Potter’s latest film.
The brilliant Chilean Oscar nominee actually lets a strong trans person play a lead trans role.
Film Stars Don’t Die in Liverpool fails to capture the magic of actress Gloria Grahame.
Black Panther builds a stunning sci-fi African world, but could use more comic book fun.
Lebanon’s Oscar-nominated The Insult captures the universality of devolving discourse.
Dirtbag tells the true story of the obsessive and difficult mountaineering legend, Fred Beckey.
The Final Year takes viewers inside the unsuspecting last days of the Obama administration.
An exacting performance from Daniel Day-Lewis in this unconventional love story helps the director get back on track.
And a lot of well-known faces.
Jeff Gillespie’s treatment just doesn’t take Harding seriously.
Gary Oldman and company don’t do the moment justice.
With Downsizing, the director continues his exploration of humanity’s foibles in a very different filmic universe.
The latest from director James Ivory is a tad pretentious, very smart, and plenty beautiful.
Tribalism aside, it was a banner year for film.
The modern take on the classic children’s story fails when stretched to feature length.
The latest from Hong Sang-soo is engaging, but maybe a little too real.
Woody Allen’s latest is filled with dialogue, but what is it really saying?