Despite the clumsiness, the film casts a spell. Its jazz rhythm has something to do with this.
Seventy-five years ago, the folk icon arrived in the Pacific Northwest to write songs for a progressive cause. The progress faltered, but the songs remain.
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Earlier this month, legislators in Olympia approved a plan to direct state dollars toward homeless student services via a competitive grant program. But will they fund that funding?
Today, proponents of bringing safe drug sites to Seattle launch their public education (or propaganda, depending on your political leanings) campaign, to let the rest of us know the details of and rationale behind such sites.
Operators of the homeless advocacy and service group SHARE say that they’ll be forced to close down 15 shelters holding about 450 people Thursday morning, because they’re out of money.
Peter Donahue has cultivated a slice of wilderness in the city for the past three years. Now his work—and the benefits it provides—could be undone by a homeowners association.
Safe drug sites in Seattle are now a question of when, not if. Yet while safe drug sites are a necessary part of effective, humane drug policy, they’re not sufficient. We need to end the War on Drugs.
Seattle came a long ways in the 2000s, but it lost something as well.
An influx of talent and trouble quickly brings Seattle up to speed.
After years of writing about religion and the Middle East and abortion, what’s left for Hazleton to tackle? Well, she’s staking a spot directly in some of the most contentious territory imaginable, smack in the middle between religion and atheism.
You can find the Tacoma-based trio ILLFIGHTYOU at the corner where glass-rattling bass intersects with murder-mayhem lyricism.
Brilliantly minimalist songwriting from Ings, ass-shaking gold from Ca$h Bandicoot, four overwhelming records from Carlos Garcia, and spacey contemplations from Astro King Phoenix.
A decade in, the Seattle orchestral indie outfit has gone pop. Lead singer Matt Bishop tells us why.
We interview @Man_In_Tree and contemplate whether it’s okay to take pleasure in a mental health crisis. Welcome to your digital future.
Wedgwood Drama Studio is proof that with theater experience, you can become anything you want— even an entrepreneur.
Pacific Northwest Ballet director Peter Boal often uses the annual “Director’s Choice” program to introduce local audiences to new works by new choreographers. But this time, with a mix of revivals and restagings, we’re getting a new view of dancemakers we’ve already seen.
If you thought your family was bad, wait until you see this film.
The rich and the poor, the aware and the unaware, the passionate and the hypocritical—they’re all given voice in Zaher’s poems.
