Oneida’s drunken ideas bear fruit.
I’ve always assumed that I knew everything I needed to know about TOMMY’S ON THE AVE. There’s a lot you…
A mean lesbian from the 1960s returns.
An African woman stands up to the crowd, and Americans will be cheering for her.
“Ruby and Willie” are photographer Bootsy Holler’s late grandparents and, indirectly, the main subjects of her current exhibit at Gallery63Eleven…
The French are not like us. They put huge ads for vacations in Cuba in their subway stations. They eat…
Edmund White’s classic turns 20.
‘Weekly’ whiners
A brilliant performance brings science alive at the Rep.
High Tide By Mark Lynas (Picador, $14) In The Day After Tomorrow, melting polar ice caps cause a shift in…
A Bellingham biker thought he could clean up a notorious motorcycle gang, but his reform efforts crashed and he’s pleaded guilty to conspiracy.
Two world premieres: One works, and the other tries . . .
What I remember from my illustrious Mariners career.
Experimental performance by High Kindergarten Performance Group. Plus: Quake, bellydancing.
Odd Couples, Really? I read with interest Brian Miller’s review of Peter Jackson’s King Kong [“King of Hearts,” Dec. 14],…
Send listings two weeks in advance to braincity@seattleweekly.com.Addressing Torture University of Washington politics prof Jamie Mayerfeld examines the role of…
Shutting down the town with Bellevue’s air guitar champion.
26th ANNUAL SEATTLE INTERNATIONAL FILM FESTIVAL runs May 18-June 11 at Broadway Performance Hall, Cinerama, Egyptian, Harvard Exit, Pacific Place,…
International alternatives to Charlie’s Angels and Girlfight.
Two conductors pay tribute to the 20th century.
