With her young son in tow, Umay (Head-On‘s Sibel Kekilli) walks out on her abusive husband and foregone conclusion of…
Written and directed by Quentin Dupieux, Rubber follows the exploits of a tire (listed in the credits as “Robert”) that…
Abbas Kiarostami’s Certified Copy is exactly that: The Iranian modernist’s first feature to be shot in the West is a…
Adapted from the memoir-ized 2003 tragedy-to-triumph of Hawaiian teen surfer Bethany Hamilton—who famously returned to her board a few weeks…
Your Highness plays like a dirty-joke blooper reel made by the cast of a junky sword-and-sorcery epic, streaked with carelessly…
The pan-genre über-hack of the new Korean zeitgeist, Kim Jee-woon has been deft in some arenas: 2003’s A Tale of…
There is a great deal of prowling motion in Insidious: a recurring sideways dolly outside a haunted house, a trench-coat-clad…
Moon director Duncan Jones’ pseudo-cerebral, modestly budgeted sci-fi thriller is a propulsive ride worth your popcorn dollar, not for its…
Paul Giamatti continues contemporary cinema’s longest pre-midlife crisis in Win Win as Mike, yet another schlubby 40-something flummoxed by mundane…
Chile’s self-appointed, one-man Truth and Reconciliation Commission, Patricio Guzmán has devoted the past four decades to chronicling the short-lived Allende…
Shot here by Seattle native Nicholas Gyeney, The Penitent Man plays like an old episode of The Twilight Zone. You’ll…
Based on a typically heart-wrenching case study by Oliver Sacks, this admirably modest adaptation tells the story of Gabriel Sawyer…
“Where am I?” a disoriented Israeli cabdriver asks his dispatcher at the beginning of Elia Suleiman’s The Time That Remains….
Mark Kostabi is a talented artist and a smug, antagonistic douchebag, both of which made him an art-world celebrity. Con…
Tender irony and dark humor abound in Israeli director Eran Riklis’ latest account of bureaucracy colliding with burgeoning compassion. This…
From France, The Round Up is a long, dull, straightforward dramatization of that country’s Vichy collaboration with the Nazis during…
This isn’t the third installment in the so-called “Blood and Ice Cream Trilogy” featuring Simon Pegg and Nick Frost. Note…
The second feature from 21-year-old wunderkind Xavier Dolan is an Instagram of the Way We Fuck Now—or, more precisely, the…
A gleeful celebration of nonstop doping, Limitless offers a dim Better Living Through Chemistry fantasy that refuses to rain on…
Director Cary Fukunaga (Sin Nombre) fragments Charlotte Brontë’s classic novel, introducing us to Jane (Mia Wasikowska) as a young woman…
