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    Film
    Wysocki as reluctant punk rocker.
    Fat Kid Rules the World: A Locally Shot...
    By Brian Miller • October 23, 2012 12:00 am

    In his first directing gig, adapting the 2003 young-adult coming-of-age novel by K.L. Going, actor Matthew Lillard (Scream, The Descendants)…

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    Coyle wades in too deep.
    Pusher: A Remake We Don’t Need
    By Nick Schager • October 23, 2012 12:00 am

    Less a bastardization than simply a watered-down and superfluous redo, Pusher faithfully mimics Nicolas Winding Refn’s 1996 Danish crime saga…

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    Lithuania's finest hoops stars in their '90s finery.
    The Other Dream Team: Lithuanian Basketballers at the...
    By Mike Seely • October 23, 2012 12:00 am

    In 1992, Lithuania participated in its first Olympics as a sovereign country. Its basketball team featured a number of marquee…

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    Oh, Tom Hanks, what have they done to your hair?
    Cloud Atlas: WTF, Wachowskis?
    By Nick Pinkerton • October 23, 2012 12:00 am

    The trailer for this gargantuan adaptation of David Mitchell’s 2004 novel, directed by two Wachowski siblings and Tom Tykwer, looks…

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    Justice (left) on her Halloween rescue mission.
    Fun Size: An Enjoyable Update on John Hughes’...
    By Karina Longworth • October 23, 2012 12:00 am

    Gossip Girl and The O.C., Josh Schwartz’s teen TV shows, are sly bait-and-switches. Both are easily marketable for their hot…

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    Rivers' hermit (Williams) in his natural state.
    Two Years at Sea: Ben Rivers’ Cinema of...
    By Nick Pinkerton • October 23, 2012 12:00 am

    It is difficult for residents of these sprawling United States to regard anything within the snug British Isles as truly…

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    Once again, French patriots (Canet and Casta) defeat the Nazis.
    War of the Buttons: Enough With the World...
    By Jon Frosch • October 23, 2012 12:00 am

    After The Chorus and Paris 36, Christophe Barratier—one of France’s least interesting living directors—offers another gooey slice of Gallic nostalgia,…

    Read Story

    Tom Waits Returns to the Screen in Seven Psychopaths
    Tom Waits Returns to the Screen in Seven...
    By Eric Hynes • October 17, 2012 12:00 am

    In Martin McDonagh’s Seven Psychopaths, a prune-faced, simian-mouthed sexagenarian sits by the road in an old suit and brown-patterned tie,…

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    Adoptees find their old homeland on the map.
    Somewhere Between: The Pitfalls of Chinese Adoption
    By Simon Abrams • October 16, 2012 12:00 am

    As the documentary equivalent of a group character study, Somewhere Between isn’t as sharply focused as you might hope. Director…

    Read Story

    A preacher casts out Satan.
    Hellbound?: Theologians (and Others) Consider the Fiery Afterlife
    By Nick Pinkerton • October 16, 2012 12:00 am

    Pope John Paul II made hell briefly unfashionable, but the administration of Benedict XVI has retrieved Gehenna from metaphorical downgrade…

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    Vreeland in her famous red room.
    Diana Vreeland: The Eye Has to Travel: Remembering...
    By Melissa Anderson • October 16, 2012 12:00 am

    Raconteuse, epigrammatist, and mythomaniac, peerless fashion editor Diana Vreeland (1903–1989) might have loved words as much as she loved Balenciaga….

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    Scenes from inside 8 Mile Road.
    Detropia: The Fall and Rise of the Motor...
    By Karina Longworth • October 16, 2012 12:00 am

    When it comes to cost-cutting, downsizing, and philosophical and practical compromise, how low is it possible to go before there’s…

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    Kaya Scodelario as the grown Cathy.
    Wuthering Heights: Heathcliff as Voyeur and Ex-Slave
    By Simon Abrams • October 16, 2012 12:00 am

    English filmmaker Andrea Arnold’s atypical, impressionistic approach to Emily Brontë is her adaptation’s main hook. As with her Fish Tank…

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    Angelababy versus the "house-eating monster."
    Tai Chi Zero: Kung Fu Meets Steampunk
    By Jonathan Kiefer • October 16, 2012 12:00 am

    Give some points to a genre flick whose style mashup reflects uneasy relations between Asia and the West just as…

    Read Story

    Ugandan activist David Kato.
    The Seattle Lesbian & Gay Film Festival
    By Brian Miller • October 9, 2012 12:00 am

    Nonfiction stands out this year.

    Read Story

    What are they waiting for? Harrelson (left) and Walken.
    Seven Psychopaths: Colin Farrell as a Troubled Hollywood...
    By Alan Scherstuhl • October 9, 2012 12:00 am

    Writer/director Martin McDonagh contrives to have his hero, an Irish screenwriter with the “get it” name Marty (Colin Farrell), dressed…

    Read Story

    Cusack brings the crazy to The Paperboy.
    The Paperboy: Nicole Kidman as a Southern Slut
    By Jonathan Kiefer • October 9, 2012 12:00 am

    Precious director Lee Daniels’ Southern Gothic noir pulp presents itself with the doubtful come-hither hospitality of a gator-filled swamp. Moistly…

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    Hollywood to the rescue: Goodman (left) and Arkin.
    Argo: Ben Affleck Rescues the Hostages From Iran
    By Karina Longworth • October 9, 2012 12:00 am

    Set amid the 1979–80 Iran hostage crisis, Ben Affleck’s Argo is a “gritty” historical drama overwhelmed by its love of…

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    Protective parents Wang (left) and St. John.
    In the Family: The Ardors of Being a...
    By Andrew Schenker • October 2, 2012 12:00 am

    With an incisive understanding of character, believably naturalistic acting, and lengthy scenes that don’t feel so much stretched out as…

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    Far from the Creek, Van Der Beek is supplied with no paddles but plenty of oars.
    Backwards: James Van Der Beek in a Sculling...
    By Brian Miller • October 2, 2012 12:00 am

    You can’t go home again—or at least that’s the feeling of ex-jock Abi, who fails to make the cut for…

    Read Story

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