Personal inquiry turns to urban odyssey.
No, we don’t grade on a curve.
Madame Sata Brazil/France, 2002. Director: Karim Ainouz Tues., May 27, 9:30 p.m., Harvard Exit You can have a rip-roaring time…
Harboring family secrets in post-war Hanoi.
He takes us behind the cameras of Mrs. Henderson Presents.
Dad disapproves of son’s impossible dream.
Columbia TriStar Home Ent., $24.96
Cops, crooks, and videotape.
On a tireless campaign to find her man, Amélie must again conquer all of France. The ground feels slightly familiar.
Showing at Northwest Film Forum, Fri., Aug. 11–Thurs., Aug. 17. Not rated. 83 minutes.
Their ad asks: Ever want to be someone else?
Steve Martin stretches his novella into a modest, melancholy, and affecting film.
. . . because it probably won’t be a part of the prequel.
Good and evil tempt a simpleton’s faith.
After Hannibal Lecter, Anthony Hopkins chews on a softer role.
The story of the director who brought ‘Frankenstein’ to life.
Ten wonderful performances from 2005 that shouldn’t be overlooked. But blink, and you might miss them.
Self-acceptance has sweetly satisfying, if familiar, ring.
Director explains his troubling take on the Holocaust.
Todd Solondz talks about taboos
