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Articles by Nick Pinkerton
A blue-collar grunt (Healy) on a dead-end job.
The Innkeepers: Guests Check In, but They Don’t...
By Nick Pinkerton • January 31, 2012 12:00 am

Horror movies are lately given to gluttonous effects, but director Ti West (The House of the Devil) is a rare…

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McGregor pauses amid the gunfire.
Haywire: Soderbergh’s MMA Sex Comedy
By Nick Pinkerton • January 17, 2012 12:00 am

Haywire‘s plot is boilerplate triple-cross, cloak-and-dagger stuff—but the action choreography by director Steven Soderbergh and MMA fighter Gina Carano puts…

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Which way to the treasure? Horn and von Sydow.
Extremely Loud and Incredibly Close: Oscar-Trolling 9/11 Kitsch
By Nick Pinkerton • January 17, 2012 12:00 am

Director Stephen Daldry has never met a Big Theme he didn’t like: After 2002’s The Hours, a lugubrious women’s-problem picture…

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The assassin sketches a hit.
El Sicario, Room 164: A Mexican Assassin Tells...
By Nick Pinkerton • January 10, 2012 12:00 am

The subject of Gianfranco Rosi’s documentary portrait is a former resident of Ciudad Juárez, a Mexican city where, according to…

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Lost at sea? Haddock, Tintin, and Snowy.
The Adventures of Tintin: Spielberg’s 3-D Detective Is...
By Nick Pinkerton • December 20, 2011 12:00 am

Steven Spielberg’s motion-captured, 3-D The Adventures of Tintin rolls together plot elements from three comic-book adventures starring Belgian artist Hergé’s…

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The architect of war (Harris, left) and the man who would stop him (Downey Jr.).
Sherlock Holmes: A Game of Shadows: An Acceptable...
By Nick Pinkerton • December 13, 2011 12:00 am

The great success of Guy Ritchie’s 2009 Sherlock Holmes was to make Arthur Conan Doyle’s gimlet-eyed detective, first introduced to…

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Kitano (left, with Kippei Shiina) continues to explore yakuza formalism.
Outrage: Takeshi Kitano Continues His Yakuza Fixation
By Nick Pinkerton • December 13, 2011 12:00 am

Takeshi Kitano’s latest finds the actor/director returning to the familiar terrain of the yakuza film after recent farces (Achilles and…

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Young lovers Jones and Yelchin.
Like Crazy: Young Love in the Age of...
By Nick Pinkerton • November 8, 2011 12:00 am

Anna (Felicity Jones) is an aspiring journalist, a wee wisp of a girl come from Britain to study in Los…

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Alda plays a Madoff for our time.
Tower Heist: This All-Star Heist Flick Actually Ain’t...
By Nick Pinkerton • November 1, 2011 12:00 am

A revenge of the have-nots playing on the clear class stratification of the luxury high-rise, Tower Heist pits lobby against…

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Shaw (at right) as the needle-pricked plaintiff.
Puncture: An Important Medical Issue, Poorly Dramatized
By Nick Pinkerton • November 1, 2011 12:00 am

Puncture is proudly “Based on a True Story.” As is so often the case, this means an indifference to “true”…

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Vanessa Redgrave as the endangered Queen Liz.
Anonymous: A Pointless Elizabethan Thriller
By Nick Pinkerton • October 25, 2011 12:00 am

Edward de Vere, 17th Earl of Oxford, is the close-second candidate for authorship of the 37 plays of William Shakespeare—who,…

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Kennedy as the future foodie Slater.
Toast: An English Foodie’s Coming-of-Age
By Nick Pinkerton • October 18, 2011 12:00 am

Premiered as a BBC1 telefilm, now flaunting its wasteful widescreen in theaters, Toast adapts the autobiography of Nigel Slater, a…

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Killer Elite: Not Even Close to Sam Peckinpah
Killer Elite: Not Even Close to Sam Peckinpah
By Nick Pinkerton • September 21, 2011 12:00 am

Wholly unrelated to the 1975 Sam Peckinpah film of the same name, Killer Elite is distinguished by one no-mercy, eye-gouging,…

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Jose (Lujan) reverses the view from a fateful window.
Nora’s Will: Jewish Mourning in Mexico City
By Nick Pinkerton • September 13, 2011 12:00 am

José (Fernando Luján) has been divorced from Nora for 20 years. They were married at least as long. Now he…

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The siblings (Hardy, left, and Edgerton) prepare for their inevitable battle.
Warrior: There’s Not Enough Nick Nolte in This...
By Nick Pinkerton • September 6, 2011 12:00 am

You know those Affliction shirts, covered in skulls, gothic lettering, and tribal patterns, all cacophonous symbols of badass machismo? That’s…

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To accept The Guard, you must accept Gleeson.
The Guard: Brendan Gleeson and Don Cheadle as...
By Nick Pinkerton • August 9, 2011 12:00 am

This shaggy-man character study follows a 50-something policeman in western Ireland, Sergeant Gerry Boyle (Brendan Gleeson). No by-the-book cop, Boyle…

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Runyan as the unsuspecting director.
Road to Nowhere: Old Master Monte Hellman Still...
By Nick Pinkerton • August 9, 2011 12:00 am

At his peak (Two-Lane Blacktop, Cockfighter), Monte Hellman superbly combined an absurdist worldview and snapshot-authentic Middle America. But rather than…

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Patti Astor in Eric Mitchell's Underground USA.
Blank City: Indie Film Before the Term Existed
By Nick Pinkerton • August 9, 2011 12:00 am

Blank City is a self-defeating, user-friendly primer on a group of films whose aura was enhanced by the fact that…

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Sagnier is torn between two Coopers.
The Devil’s Double: News Flash: Saddam Hussein’s Family...
By Nick Pinkerton • August 2, 2011 12:00 am

The embellishment of a memoir by Latif Yahia, once forcibly employed as a public stand-in for Saddam Hussein’s psychopathic son,…

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Don't go under the bridge!
Trollhunter: Back From SIFF, a Deadpan Norwegian Monster...
By Nick Pinkerton • July 5, 2011 12:00 am

Alleged to be compiled from found college-project footage from a group of missing students, Trollhunter begins as an investigative report…

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