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Articles by Michaelangelo Matos
Once More With Feeling
Once More With Feeling
By Michaelangelo Matos • October 9, 2006 12:00 am

An MP3 CDR of the year’s reissues.

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Opticlash at the Capitol Hill Arts Center
Opticlash at the Capitol Hill Arts Center
By Michaelangelo Matos • October 9, 2006 12:00 am

A DJ battle is a little like a Home Run Derby for people who hate sports. Pyrotechnical display, gratuitous spectacle,…

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Behind the music
Behind the music
By Michaelangelo Matos • October 9, 2006 12:00 am

An utterly predictable tale of the unpredictable music business.

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R. Kelly
Sequels and/or Remakes Find Their Groove
By Michaelangelo Matos • October 9, 2006 12:00 am

R. KELLY “Happy People” (Jive) The impulse to write off R. Kelly, to reduce his records to mere by-products of…

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A Beat Apart
A Beat Apart
By Michaelangelo Matos • October 9, 2006 12:00 am

From yodeling to cartoon sound effects, these CDs can’t be duplicated

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Left to right: Kurt Dahle, Neko Case, John Collins, Carl Newman, Blaine Thurier, and Todd Fancey (missing: Dan Bejar).
The New Pornographers
By Michaelangelo Matos • October 9, 2006 12:00 am

Seattle Weekly: Your new album, Twin Cinema (Matador), sounds rawer and more garagey than the first two New Pornographers albums,…

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Money v. Art: Kevin Friberg at the doomed Shoe.
The last shoe drops
By Michaelangelo Matos • October 9, 2006 12:00 am

Does the demise of Pioneer Square’s last remaining independent artists’ building signal the end of Seattle’s arts community as we know it?

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The new jazz: Sonic Youth keep growing.
Concrete poetry
By Michaelangelo Matos • October 9, 2006 12:00 am

Sonic Youth connect the dots between underground music of all stripes.

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Of Montreal, from left: James Huggins, Jason NeSmith, Matt Dawson, Bryan Poole, Dottie Alexander, and Kevin Barnes.
The Undead ’60s
By Michaelangelo Matos • October 9, 2006 12:00 am

Making good on paisley-tinted retro with groovy indie-popsters Of Montreal.

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He's a Plastikman: Richie Hawtin
Plastik fantastik
By Michaelangelo Matos • October 9, 2006 12:00 am

Richie Hawtin reanimates the DJ-mix CD and stretches his own musical parameters.

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Boom Bap Project: Karim, DJ Scene, and Destro.
Boom Bap Project
By Michaelangelo Matos • October 9, 2006 12:00 am

Seattle Weekly: As Boom Bap Project, you, DJ Scene, and Destro have been around Seattle’s hip-hop scene for a few…

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What's The Catch?
The Catch
By Michaelangelo Matos • October 9, 2006 12:00 am

Seattle Weekly: Given how visible your pop-rock band, the Catch, has become locally since it began four-and-a-half years ago, it’s…

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Darrin Wiener, left, and the Vells' Tristan Marcum with the infamous pink pleather guitar.
Made of Plastiq
By Michaelangelo Matos • October 9, 2006 12:00 am

Cardboard CD cases, fake DJs, and pink pleather guitars: presenting Imputor?, Seattle’s most intriguing record label.

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J.D. Ryznar
J.D. Ryznar
By Michaelangelo Matos • October 9, 2006 12:00 am

Seattle Weekly: Yacht Rock, the Internet program on www.channel101.com that you write, produce, and star in, has become a cult…

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They just want some of your extra time; Ann Powers, two doppelgängers, and Eric Weisbard.
Conference Calling
By Michaelangelo Matos • October 9, 2006 12:00 am

Seattle Weekly plays Jukebox Jury with Ann Powers and Eric Weisbard of the EMP Pop Music Studies Conference.

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Boot Party
Boot Party
By Michaelangelo Matos • October 9, 2006 12:00 am

The Nice Boys, “You Won’t See Me Anymore” (Discourage). Spoon, “Decora” (The Believer, June issue). The White Stripes, “My Doorbell”…

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Brian Coleman with Rakim on the brain.
Brian Coleman
By Michaelangelo Matos • October 9, 2006 12:00 am

Seattle Weekly: You’ve just self-published a book, Rakim Told Me: Hip-Hop Wax Facts, Straight From the Original Artists—the ’80s, featuring…

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In Tribute
In Tribute
By Michaelangelo Matos • October 9, 2006 12:00 am

Tape, “A Spire” (Häpna). John Prine, “Glory of True Love” (Oh Boy!). The Thin Man, “An Undertaker Muses . . . ” (Contraphonic). Big…

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Audacious metaphors and twisted humor: Slug from Atmosphere
Nothing but sunshine
By Michaelangelo Matos • October 9, 2006 12:00 am

Atmosphere reclaim hip-hop’s introspective side—hold the vegetables.

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From left: Barrett Wilke, Lucy Atkinson, Chris Martin, and Matthew Reid-Schwartz of Kinski.
Waves of Guessing
By Michaelangelo Matos • October 9, 2006 12:00 am

Seattle Weekly plays Jukebox Jury with Lucy Atkinson and Chris Martin of Kinski.

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