Also: Dance Cinema, Night and the City, Jonathan Richman, Jonathan Raban.
Send listings two weeks in advance to visualarts@seattleweekly.com Lectures and Events Artist Lecture: Juan Alonso The Cuban-born Seattle painter (who…
Big ’80s hair, yes, but no Hairspray.
The message is timely, but attention to detail is missing in action in this WWI drama.
How to write a successful first book? Try, try again.
Julius Caesar retold in the ’50s, and Martha Graham revived at Cornish.
Also: John & Jen.
Three local shops treat hair like an artistic medium. Why settle for less?
A choir’s many voices sound as one.
Printer’s Devil shines in this adaptation of a Chekov classic.
Lynne Hershman Leeson San Francisco–based Hershman Leeson is one of those performance artists who delight in making folks squirm. Her…
Upscale adventure has its hazards—or does that just add to the allure?
Peter Boal sets a new standard for Pacific Northwest Ballet.
Manik skateboard designer Nin Truong breaks with the usual deck aesthetic.
A new perspective on Impressionism.
Lone Twin Leave it to On the Boards to locate an act whose appeal is as difficult to describe as…
Playwright Rebecca Gilman considers the harder questions beneath sexual aggression.
John Kelly is Joni Mitchell, and she couldn’t be happier.
On the eve of soccer’s grand spectacle, a writer eloquently explains why the best team won’t win (or even be there).
Send listings two weeks in advance to visualarts@seattleweekly.com First Thursday Ace Studios Distressed and antique-looking photographs of deserted interiors and…
