Gregory Blackstock’s visual lists catalog all the stuff under the sun.
Send listings two weeks in advance to visualarts@seattleweekly.com. Lectures and Events There Goes the Neighborhood This “happening” at Kirkland’s art…
SATURDAY OPERA CARMEN Opera-curious? But wary? This month you have no excuse. Georges Bizet’s classic is deservedly one of the…
The museum refugees at Thread are buffing up Seattle’s low-budget art world.
See mild-mannered graphic artist Jeremy Eaton become … MangaBoy!
While Seattle Weekly‘s staff was busy interviewing newcomers on the Seattle arts scene for this week’s Fall Arts Guide, local…
Once again, I’ve been to Tacoma Art Museum to see one show only to be seduced by another. The touring…
French Gypsies make wonderful music, but can’t show up on time for gigs.
Seattle blogger turns her heartache, and recovery, into fiction.
Monica Ali, Adam Haslett, Jonathan Lethem, and Cathleen Schine.
THURS – DANCE The wait is over. Pacific Northwest Ballet‘s new artistic director, Peter Boal, finally gets a chance to…
A new space values free sounds.
Neal Bashor’s flows and impediments.
IOSUFATU SUA Somewhere in the middle of the Pacific, north of the Marquesas, south of Hawaii and some distance east…
The costs and benefits of cosmetic surgery for guys.
Martin Amis’ new novel isn’t nearly the cerebral trauma you’ve been led to believe.
Where would action cinema be without Dashiell Hammett?
Looking at our lives through two different views.
From labor unions to folk songs, composer Frederic Rzewski’s works explore America’s social issues.
Weber’s Der Freischütz soars musically but suffers visually.
