- Email Newsletters
- News & Comment
- Arts & Culture
- Special Content
- Print Edition
- Subscriber Center
Like the technology Jobs pioneered, the Seattle Opera production is flashy but lacking in soul.
Despite strong performances and comedic zest, it’s hard to not get hung up on the befuddling ending of Seattle Shakespeare’s latest production.
Turns out a conventional approach is best for Verdi’s notoriously implausible ‘Il trovatore.’
Book-It Rep’s diverse casting adds new depth to Willa Cather’s tale of friendship and hardship on the Great Plains.
A character whose first draft got short shrift finally finds happiness in ‘Miss Bennet: Christmas at Pemberley.’
Seattle Rep’s production of ‘In the Heights,’ Lin-Manuel Miranda’s pre-‘Hamilton’ musical, is an energetic romp.
The enthusiastic Seattle Children’s Theatre production makes the story of a young will-be Muhammad Ali fun for kids.
Seattle Opera’s ‘Porgy and Bess’ is a must-see production that feels engaged with the cultural conversation.
Taproot’s ‘Sweet Land, the Musical’ doesn’t fully capture the mood of 1920s Minnesota farmland, but still manages to charm.
In Book-It’s Wilde adaptation, art imitates life imitates art imitates life….
Oscar Wilde’s comedy demonstrates the pitfalls of virtue.