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Aishé Keita (Young Maya). Photo by John Ulman

Arts & Culture

“I Know Why the Caged Bird Sings” Deftly Adapts the Brilliant Memoir for the Stage

Malika Oyetimein and Myra Platt’s production portrays Angelou through the ages.

Dusting the Crust Off ‘The Crucible’

Arts & Culture

Dusting the Crust Off ‘The Crucible’

A conversation with ACT’s John Langs on whether old dramas should keep getting restaged in Seattle.

Photo by Dangerpants Photography

Arts & Culture

Sara Porkalob’s ‘Dragon Lady’ Is a Celebration of the Legacies That Made Her

In her one-woman show, the artist/activist plays multiple generations of her family.

Photo by Julia Nardin

Arts & Culture

A Bilingual Production of ‘Proof’ Centers Latinx Theater Makers and Accessibility

Catch the show on porches across Puget Sound.

Courtesy Pony World Theatre

Arts & Culture

“American Archipelago” Struggles to Tie Isolated Stories into One, Cohesive Narrative

The tale of twisted fates in the United States lacks the clarity to tell an effective tale.

Photo by Erik Stuhaug

Arts & Culture

Jane Austen’s Song of Regret

Her bittersweet romance is translated to the stage.

Malika Oyetimein’s ‘Hoodoo Love’ Places the Story in the Audience’s Laps

Arts & Culture

Malika Oyetimein’s ‘Hoodoo Love’ Places the Story in the Audience’s Laps

The director’s take on a story of black resilience strategically engages with white audiences.

NCTC’s November production of ‘The Big Meal.’ Photo by Christopher Monsos

Arts & Culture

New Century Theatre Company Leaving 12th Ave. Arts, Artistic Director Steps Down

New beginnings for NCTC.

Kate Shindle as ‘Alison’ and Robert Petkoff as ‘Bruce’ in Fun Home. Photo by Joan Marcus

Arts & Culture

Kate Shindle on the Queer Activism That Led Her to ‘Fun Home’

Playing Alison Bechdel in a Broadway musical is the latest in the actor’s history of allyship.

Photo by Chris Bennion

Arts & Culture

A Straight Man in Dire Straits Tries Drag in ACT’s ‘The Legend of Georgia McBride’

Two queens coach the clueless in this hilarious peek into an integral form of queer art-making.

John Cornicello

Arts & Culture

Grand Concourse and the Limits of Care

Seattle Public Theatre engages with one end of homelessness while missing the other.

Cirque du Soleil’s ‘Luzia’ Is a $47.7 Million Detriment to Mexican Artists

Arts & Culture

Cirque du Soleil’s ‘Luzia’ Is a $47.7 Million Detriment to Mexican Artists

Meant to showcase Mexican culture to the world, ‘Luzia’ fails its premise from beginning to end.

‘Rising Up’ Blends Fact and Fiction in Hopes of Transformation

Arts & Culture

‘Rising Up’ Blends Fact and Fiction in Hopes of Transformation

Ebo Barton and Sarah Rosenblatt’s queer social-justice play invited the cast to shape its story.

Cherdonna is really, really into Ibsen. Photo by Jeff Carpenter

Arts & Culture

Cherdonna Shinatra Invades a Classic

Washington Ensemble’s take on “A Doll’s House” gets a meta drag interloper.

Here Lies Love’s Disco Dictatorship

Arts & Culture

Here Lies Love’s Disco Dictatorship

David Byrne’s spectacle-driven musical engages with the political history of the Philippines.

Photo by John Cornicello

Arts & Culture

Keiko Green’s ‘Nadeshiko’ Explores the Nuanced History of Idealized Japanese Beauty

Flitting between WWII Japan and the present-day U.S., the play connects the dots of a sterotype.

Photo by Jacob Lucas

Arts & Culture

Seattle Opera’s Stark American Tragedy

A Czech opera is transported from Russia to Cascadia, making its villain even more chilling.

Photo by MJ Sieber

Arts & Culture

‘Bright Half Life’ Explores the Intricacies of Love

From heartbreak to heartburn, the play follows the story of a passionate queer partnership.

Photo by Tracy Martin

Arts & Culture

The 5th Avenue’s “Pajama Game” Is Steaming Hot

How did they get away with this in 1954?

Photo by David Gassner

Arts & Culture

“Raisins in a Glass of Milk” Shows Seattle Theater As It Is, and Imagines How It Might Be

The POC cast confront whiteness, and tell their own stories in a deeply humanizing and poetic way.