Corpse Bride I wasn’t crazy about Charlie and the Chocolate Factory (both too sweet and too sour), but I loved…
Evil rules the pop charts. Every time you look at MTV, you’ll see yet another emerging musician who is being…
D12 Devil’s Night (Shady/Interscope) Eminem told Spin recently that he started his label, Shady Records, only to put out his…
MARKUS JAMES Nightbird (Firenze) Taking the blues back home. On his sixth release, Markus James returns the blues to its…
Queercore vets team with an Indigo Girl to spread a potent musical message.
Plus CD Reviews of Epsers, Voices from the Frontline, and Excepter.
Opens Fri., Nov. 18, at Seven Gables and others.
Crude but powerful drama mixes arson and alcohol.
Send listings two weeks in advance to visualarts@seattleweekly.com. Lectures and Events Georgetown Artwalk Home to a number of artists because…
“An atheistic, gun-owning defender of gay rights? What is the world coming to?”
As millionaire Stuart Sloan adopts a second school, test scores are beginning to come in for his first—and they aren’t good.
Bad Boy Bill, still making people dance to his sweaty, skanky beats.
Hollywood is like high school with money.
Intiman Theatre bags major award; other artists nominated. Plus: Symphony and books news.
Why isn’t software—everywhere? Three years ago, it looked like packaged software would be the ’90s equivalent of the Blob. Programs…
The American Analog Set apply themselves to microcosmic rock. Just don’t tell the dean.
Lady Sovereign, “Random” (Casual, U.K.). Cadence Weapon, “Oliver Square” (www.cadenceweapon.com). Edan, “Fumbling Over Words That Rhyme” (Lewis). Busdriver, “Lefty’s Lament”…
A Shakespearean musical sweet to the eye but bland to the taste.
Jumpers, David Banner, The Shining, Howard Dean, and Dave Eggers
A Midsummer Night’s Dream Center House Theatre; ends Sat., May 8 I was not looking forward to director Arne Zaslove’s…
