EYE, Boredoms, and John Zorn.
A perfectly aloof Carmen commands our affection.
Rediscovered by hip-hoppers and acid-jazzbos, the Headhunters finally reunite.
Seattle’s classical-music critics aren’t always the most harmonious bunch, but they do agree on one thing: Seattle Opera’s production of…
There are eight million stories in the naked city, and they’re all shouting to drown each other out. But I…
Send listings two weeks in advance to visualarts@seattleweekly.com Lectures and Events Art Auction Bid on over 300 works by Northwest…
Romeo and Juliet Since director John Langs dusted off King Lear and came up with vigorous, biting, and unexpectedly escapist…
If you were to exile me to a desert island (no, this is not a Survivor-themed column) and I were…
Though it wasn’t in the televised part of the show last Wednesday, Eminem’s winning two rap Grammy awards certainly qualifies…
Fresh from successful campaigns at Seattle’s 5th Avenue Theater and the Tacoma Symphony, Local 76 of the American Federation of…
Lectures and Events BLACK & BLUE BALL CoCA’s last big bash of the year. 8 p.m.-1 a.m., Sat. Dec. 13,…
Song, dance, and a stage full of swingin’ partners.
Achieving a ‘Delicate Balance’ at the Rep.
We all know it’s getting hotter out there. Here’s how to make the most of your ozone-free summer.
The Rocket Restaurant—nee Lloyd’s Rocket—supplies great service and even better ribs.
Opera heavyweight burnishes his well-deserved legacy.
At the Triple Door, the stage is set but the patrons are MIA.
It’s not often a song or artist can truly capture what a city is feeling. I don’t mean the hap-hap-happy…
Rusty Willoughby put Flop behind him with a solo debut.
Loud guitars and tight pants will never go out of style.
