Degenerate Arts Ensemble; Bread and Puppet Theatre; Dave Brubeck and Ramsey Lewis.
Send listings two weeks in advance to visualarts@seattleweekly.com Lectures and Events Conspiracy Theory A politically active evening of art, music,…
When you’re married to show business, it’s nigh impossible to balance career and family. Sometimes, tough decisions must be made….
When he left his job as executive vice president of the Los Angeles Music Center last year, John Dunavent claimed…
DRACULA: JONATHAN HARKER’S JOURNAL Center House Theatre; ends Sun., Nov. 16 You’ve met Bram Stoker’s bloodsucker so many times, you…
The pies are lust-worthy at Fremont Classic; the rest, not so much.
Nine years after their last studio album, Seattle sludge-metal pioneers Earth return—three times.
Of Montreal fill their latest disc with tales of efeblums and ephanities—whatever they are.
At least according to Mates of State.
Spirit of Washington Dinner Train says trails shouldn’t displace rails, and other news.
The conflicting impulses of Rhino’s new Whatever: The ’90s Pop & Culture Box.
EXPERIENCES IN EATING Some people love to cook; other people love eating the results. Meg Olsen has made it her…
Fiction
Once again this year, I postponed dreaming up a Halloween costume until the last possible moment, when Champion Party &…
The city attorney wants tough rules for nightclubs.
Rapunzel never relaxes into its tale.
Opens at Harvard Exit, Fri., March 31. Rated R. 98 minutes.
The parallel talents of composer Ned Rorem.
City Attorney Mark Sidran and the music community work on a groove.
Also: Sell Out, It’s a Wonderful Life, The Awful Truth, and Lil Jon and the Eastside Boyz.
