Highlights-and otherwise-of this week’s music calendar.
Frank Rich takes a damning peek backstage, neglects to review the audience.
This week’s music calendar.
Opens at Neptune, Fri., Feb. 9. Rated R. 87 minutes.
Via computer applications and stunning cartoon visuals, Portland’s Menomena inspire wide-eyed pop wonderment.
What to do Sunday.
SSO posts a huge deficit. Plus: Decibel Fest and Pacific Northwest Ballet news.
Charlotte Rampling heads into David Lynch country.
The elusive Jim Noir shows his face in Seattle.
Stage events this week.
Read; be read to.
The Broken West don’t sweat the petty stuff.
Secrets of Seattle’s most successful chefs.
Entrance offers ‘liberation through hearing in the intermediate state.’
Almodóvar turns up the red and highlights the cleavage in this lighthearted, all-girl ghost story.
Joanna Newsom is nobody’s pixie, sprite, bear, fairy, or folk freak.
For some people, seeing the country from a boxcar is the ultimate freedom. But as an October fatality indicates, it can come with a price. By Nina Shapiro
Plus CD Reviews of C-Bo, Iron Maiden, and Trainwreck Riders.
Who’s more noble—Gregory Peck or Harry Dean Stanton?
Plus CD Reviews of The Modernist, Lucinda Williams, and the Hightone Records Story.
