Film
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Gentlemen Prefer Blondes Shot-for-salivating-shot, this boasts the highest “wow” quotient of anything in the formidably ecstatic Marilyn Monroe oeuvre. The 1953 movie, directed by Howard Hawks, opens with an edible MM and full-figured gal pal Jane Russell bursting onto the screen in skin-tight, feather-hatted, red-sequined regalia like a couple of carnivorous cake toppings. It eventually ogles its way through not only the now legendary “Diamonds Are a Girl’s Friend” routine but an audacious “Ain’t There Anyone Here for Love” number, where Russell offers to take on the entire U.S. Men’s Olympic Team. Yet they ignore her in favor of choreographed calisthenics in nude-colored shorts-again, wow. (G) STEVE WIECKING
7 p.m. Fri. & Sun.-Tues. plus 3 p.m. Sat.-Sun. matinees Central Cinema, 1411 21st Ave., Seattle, WA 98122 $7-$9 Sunday, April 5, 2015
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Mad Men: The End of an Era For six and one-half seasons, Mad Men has explored social roles, chauvinism, identity, and self-definition through the lens of the ‘60s. We’ve watched Don Draper (Jon Hamm) and his fellow Madison Avenue execs resist the changing times, creating ad campaigns that looked both creatively forward and socially backward to the comforts of a ‘50s paradigm that never actually existed. (Though that illusion was maintained for a while in in the boys’-club atmosphere and office wet bars of the executive inner circle.) As the second half of Season 7 takes us to the end of the ‘60s, Don’s protege Peggy (Elisabeth Moss) is now his boss and former office manager Joan (Christina Hendricks) is a partner, but has their culture really changed? I’d like to say that’s the question on everyone’s mind, but really we want to see how series creator Matthew Weiner ends Don’s long, strange trip from mysterious golden boy to self-sabotaging narcissist to whatever final role awaits at the end of this seven-episode arc (concluding May 17). Weiner’s already put one rumor to rest: Don’s wife Megan (Jessica Pare) will not be murdered by the Manson Family, but that still leaves a lot of possibilities for other character fates. I for one want to see how schmooze-meister Roger Sterling (John Slattery) fills the firm’s leadership vacuum. For tonight’s premiere party, hosted by Will Viharo and Monica Cortes Viharo, viewers are encouraged to dress in period attire, with prizes to be awarded as incentive. SEAN AXMAKER Central Cinema, 1411 21st Ave., Seattle, WA 98122 Free Sunday, April 5, 2015, 7pm
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Gentlemen Prefer Blondes Shot-for-salivating-shot, this boasts the highest “wow” quotient of anything in the formidably ecstatic Marilyn Monroe oeuvre. The 1953 movie, directed by Howard Hawks, opens with an edible MM and full-figured gal pal Jane Russell bursting onto the screen in skin-tight, feather-hatted, red-sequined regalia like a couple of carnivorous cake toppings. It eventually ogles its way through not only the now legendary “Diamonds Are a Girl’s Friend” routine but an audacious “Ain’t There Anyone Here for Love” number, where Russell offers to take on the entire U.S. Men’s Olympic Team. Yet they ignore her in favor of choreographed calisthenics in nude-colored shorts-again, wow. (G) STEVE WIECKING
7 p.m. Fri. & Sun.-Tues. plus 3 p.m. Sat.-Sun. matinees Central Cinema, 1411 21st Ave., Seattle, WA 98122 $7-$9 Monday, April 6, 2015
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Inherent Vice Why Thomas Pynchon would go back to 1970 with his late (2009) hippie detective spoof is obvious: nostalgia, command of period color, and unfinished business as one optimistic decade curdles into another-trying to locate Where It All Went Wrong. But what mysteries are there for Paul Thomas Anderson to plumb? Doc Sportello (Joaquin Phoenix) is a mutton-chopped gumshoe operating near the L.A. beach, salt air and cannabis fumes constantly in his lungs, vaguely pursuing a missing-person case in which the real-estate developer in question may not actually be missing. His “old lady” Shasta (Katherine Waterston) turned him onto the case, which sends him stumbling through a gallery of SoCal eccentrics. (These include Martin Short, Owen Wilson, and Benicio Del Toro.) The squares of Nixon’s silent majority are represented by Martin Donovan (as a string-pulling tycoon), Reese Witherspoon (a D.A. and Doc’s new squeeze), and Josh Brolin as Bigfoot Bjornsen: police detective, part-time actor, and Doc’s possible doppelganger. Both Bigfoot and Doc are confronting the MacGuffin that is the Golden Fang: possibly a conspiracy, possibly a paranoid stoner misunderstanding. Don’t expect any mysteries to be solved here; Doc is a P.I. who collects very little hard evidence, yet he persists, unperturbed by the absence of such facts. In Anderson’s loosest, most purely enjoyable film to date (to be screened in 35 mm), plot matters less than the telling and serendipitous details of the tale. BRIAN MILLER SIFF Film Center, 305 Harrison St. (Seattle Center), Seattle, WA 98109 $7-$12 Monday, April 6, 2015, 7pm
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Gentlemen Prefer Blondes Shot-for-salivating-shot, this boasts the highest “wow” quotient of anything in the formidably ecstatic Marilyn Monroe oeuvre. The 1953 movie, directed by Howard Hawks, opens with an edible MM and full-figured gal pal Jane Russell bursting onto the screen in skin-tight, feather-hatted, red-sequined regalia like a couple of carnivorous cake toppings. It eventually ogles its way through not only the now legendary “Diamonds Are a Girl’s Friend” routine but an audacious “Ain’t There Anyone Here for Love” number, where Russell offers to take on the entire U.S. Men’s Olympic Team. Yet they ignore her in favor of choreographed calisthenics in nude-colored shorts-again, wow. (G) STEVE WIECKING
7 p.m. Fri. & Sun.-Tues. plus 3 p.m. Sat.-Sun. matinees Central Cinema, 1411 21st Ave., Seattle, WA 98122 $7-$9 Tuesday, April 7, 2015
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Gentlemen Prefer Blondes Shot-for-salivating-shot, this boasts the highest “wow” quotient of anything in the formidably ecstatic Marilyn Monroe oeuvre. The 1953 movie, directed by Howard Hawks, opens with an edible MM and full-figured gal pal Jane Russell bursting onto the screen in skin-tight, feather-hatted, red-sequined regalia like a couple of carnivorous cake toppings. It eventually ogles its way through not only the now legendary “Diamonds Are a Girl’s Friend” routine but an audacious “Ain’t There Anyone Here for Love” number, where Russell offers to take on the entire U.S. Men’s Olympic Team. Yet they ignore her in favor of choreographed calisthenics in nude-colored shorts-again, wow. (G) STEVE WIECKING
7 p.m. Fri. & Sun.-Tues. plus 3 p.m. Sat.-Sun. matinees Central Cinema, 1411 21st Ave., Seattle, WA 98122 $7-$9 Wednesday, April 8, 2015
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Gentlemen Prefer Blondes Shot-for-salivating-shot, this boasts the highest “wow” quotient of anything in the formidably ecstatic Marilyn Monroe oeuvre. The 1953 movie, directed by Howard Hawks, opens with an edible MM and full-figured gal pal Jane Russell bursting onto the screen in skin-tight, feather-hatted, red-sequined regalia like a couple of carnivorous cake toppings. It eventually ogles its way through not only the now legendary “Diamonds Are a Girl’s Friend” routine but an audacious “Ain’t There Anyone Here for Love” number, where Russell offers to take on the entire U.S. Men’s Olympic Team. Yet they ignore her in favor of choreographed calisthenics in nude-colored shorts-again, wow. (G) STEVE WIECKING
7 p.m. Fri. & Sun.-Tues. plus 3 p.m. Sat.-Sun. matinees Central Cinema, 1411 21st Ave., Seattle, WA 98122 $7-$9 Thursday, April 9, 2015
ByDesign More films about architecture and fonts, with associated panels and seminars. Northwest Film Forum, 1515 12th Ave., Seattle, WA 98122 See website for details. Friday, April 10 – Tuesday, April 14, 2015
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Gentlemen Prefer Blondes Shot-for-salivating-shot, this boasts the highest “wow” quotient of anything in the formidably ecstatic Marilyn Monroe oeuvre. The 1953 movie, directed by Howard Hawks, opens with an edible MM and full-figured gal pal Jane Russell bursting onto the screen in skin-tight, feather-hatted, red-sequined regalia like a couple of carnivorous cake toppings. It eventually ogles its way through not only the now legendary “Diamonds Are a Girl’s Friend” routine but an audacious “Ain’t There Anyone Here for Love” number, where Russell offers to take on the entire U.S. Men’s Olympic Team. Yet they ignore her in favor of choreographed calisthenics in nude-colored shorts-again, wow. (G) STEVE WIECKING
7 p.m. Fri. & Sun.-Tues. plus 3 p.m. Sat.-Sun. matinees Central Cinema, 1411 21st Ave., Seattle, WA 98122 $7-$9 Friday, April 10, 2015
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Gentlemen Prefer Blondes Shot-for-salivating-shot, this boasts the highest “wow” quotient of anything in the formidably ecstatic Marilyn Monroe oeuvre. The 1953 movie, directed by Howard Hawks, opens with an edible MM and full-figured gal pal Jane Russell bursting onto the screen in skin-tight, feather-hatted, red-sequined regalia like a couple of carnivorous cake toppings. It eventually ogles its way through not only the now legendary “Diamonds Are a Girl’s Friend” routine but an audacious “Ain’t There Anyone Here for Love” number, where Russell offers to take on the entire U.S. Men’s Olympic Team. Yet they ignore her in favor of choreographed calisthenics in nude-colored shorts-again, wow. (G) STEVE WIECKING
7 p.m. Fri. & Sun.-Tues. plus 3 p.m. Sat.-Sun. matinees Central Cinema, 1411 21st Ave., Seattle, WA 98122 $7-$9 Saturday, April 11, 2015
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Gentlemen Prefer Blondes Shot-for-salivating-shot, this boasts the highest “wow” quotient of anything in the formidably ecstatic Marilyn Monroe oeuvre. The 1953 movie, directed by Howard Hawks, opens with an edible MM and full-figured gal pal Jane Russell bursting onto the screen in skin-tight, feather-hatted, red-sequined regalia like a couple of carnivorous cake toppings. It eventually ogles its way through not only the now legendary “Diamonds Are a Girl’s Friend” routine but an audacious “Ain’t There Anyone Here for Love” number, where Russell offers to take on the entire U.S. Men’s Olympic Team. Yet they ignore her in favor of choreographed calisthenics in nude-colored shorts-again, wow. (G) STEVE WIECKING
7 p.m. Fri. & Sun.-Tues. plus 3 p.m. Sat.-Sun. matinees Central Cinema, 1411 21st Ave., Seattle, WA 98122 $7-$9 Sunday, April 12, 2015
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Gentlemen Prefer Blondes Shot-for-salivating-shot, this boasts the highest “wow” quotient of anything in the formidably ecstatic Marilyn Monroe oeuvre. The 1953 movie, directed by Howard Hawks, opens with an edible MM and full-figured gal pal Jane Russell bursting onto the screen in skin-tight, feather-hatted, red-sequined regalia like a couple of carnivorous cake toppings. It eventually ogles its way through not only the now legendary “Diamonds Are a Girl’s Friend” routine but an audacious “Ain’t There Anyone Here for Love” number, where Russell offers to take on the entire U.S. Men’s Olympic Team. Yet they ignore her in favor of choreographed calisthenics in nude-colored shorts-again, wow. (G) STEVE WIECKING
7 p.m. Fri. & Sun.-Tues. plus 3 p.m. Sat.-Sun. matinees Central Cinema, 1411 21st Ave., Seattle, WA 98122 $7-$9 Monday, April 13, 2015
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Gentlemen Prefer Blondes Shot-for-salivating-shot, this boasts the highest “wow” quotient of anything in the formidably ecstatic Marilyn Monroe oeuvre. The 1953 movie, directed by Howard Hawks, opens with an edible MM and full-figured gal pal Jane Russell bursting onto the screen in skin-tight, feather-hatted, red-sequined regalia like a couple of carnivorous cake toppings. It eventually ogles its way through not only the now legendary “Diamonds Are a Girl’s Friend” routine but an audacious “Ain’t There Anyone Here for Love” number, where Russell offers to take on the entire U.S. Men’s Olympic Team. Yet they ignore her in favor of choreographed calisthenics in nude-colored shorts-again, wow. (G) STEVE WIECKING
7 p.m. Fri. & Sun.-Tues. plus 3 p.m. Sat.-Sun. matinees Central Cinema, 1411 21st Ave., Seattle, WA 98122 $7-$9 Tuesday, April 14, 2015
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Gentlemen Prefer Blondes Shot-for-salivating-shot, this boasts the highest “wow” quotient of anything in the formidably ecstatic Marilyn Monroe oeuvre. The 1953 movie, directed by Howard Hawks, opens with an edible MM and full-figured gal pal Jane Russell bursting onto the screen in skin-tight, feather-hatted, red-sequined regalia like a couple of carnivorous cake toppings. It eventually ogles its way through not only the now legendary “Diamonds Are a Girl’s Friend” routine but an audacious “Ain’t There Anyone Here for Love” number, where Russell offers to take on the entire U.S. Men’s Olympic Team. Yet they ignore her in favor of choreographed calisthenics in nude-colored shorts-again, wow. (G) STEVE WIECKING
7 p.m. Fri. & Sun.-Tues. plus 3 p.m. Sat.-Sun. matinees Central Cinema, 1411 21st Ave., Seattle, WA 98122 $7-$9 Wednesday, April 15, 2015
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Gentlemen Prefer Blondes Shot-for-salivating-shot, this boasts the highest “wow” quotient of anything in the formidably ecstatic Marilyn Monroe oeuvre. The 1953 movie, directed by Howard Hawks, opens with an edible MM and full-figured gal pal Jane Russell bursting onto the screen in skin-tight, feather-hatted, red-sequined regalia like a couple of carnivorous cake toppings. It eventually ogles its way through not only the now legendary “Diamonds Are a Girl’s Friend” routine but an audacious “Ain’t There Anyone Here for Love” number, where Russell offers to take on the entire U.S. Men’s Olympic Team. Yet they ignore her in favor of choreographed calisthenics in nude-colored shorts-again, wow. (G) STEVE WIECKING
7 p.m. Fri. & Sun.-Tues. plus 3 p.m. Sat.-Sun. matinees Central Cinema, 1411 21st Ave., Seattle, WA 98122 $7-$9 Thursday, April 16, 2015
Child 44 A military garb-clad Tom Hardy investigates a series of child murders in the Stalin-era Soviet Union. Opens wide. $12 and up Friday, April 17, 2015
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Gentlemen Prefer Blondes Shot-for-salivating-shot, this boasts the highest “wow” quotient of anything in the formidably ecstatic Marilyn Monroe oeuvre. The 1953 movie, directed by Howard Hawks, opens with an edible MM and full-figured gal pal Jane Russell bursting onto the screen in skin-tight, feather-hatted, red-sequined regalia like a couple of carnivorous cake toppings. It eventually ogles its way through not only the now legendary “Diamonds Are a Girl’s Friend” routine but an audacious “Ain’t There Anyone Here for Love” number, where Russell offers to take on the entire U.S. Men’s Olympic Team. Yet they ignore her in favor of choreographed calisthenics in nude-colored shorts-again, wow. (G) STEVE WIECKING
7 p.m. Fri. & Sun.-Tues. plus 3 p.m. Sat.-Sun. matinees Central Cinema, 1411 21st Ave., Seattle, WA 98122 $7-$9 Friday, April 17, 2015
Monkey Kingdom Disney presents a nature documentary about a newborn monkey and its mother trying to survive in a competitive social group. Opens wide. $12 and up Friday, April 17, 2015
Paul Blart: Mall Cop 2 At a security-guard expo in Las Vegas, Kevin James discovers a heist. Opens wide. $12 and up Friday, April 17, 2015
Selfless A dying wealthy man has his consciousness transferred to the body of a young healthy dude (Ryan Reynolds), who begins to uncover the mystery of the body’s original owner. Opens wide. $12 and up Friday, April 17, 2015
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Gentlemen Prefer Blondes Shot-for-salivating-shot, this boasts the highest “wow” quotient of anything in the formidably ecstatic Marilyn Monroe oeuvre. The 1953 movie, directed by Howard Hawks, opens with an edible MM and full-figured gal pal Jane Russell bursting onto the screen in skin-tight, feather-hatted, red-sequined regalia like a couple of carnivorous cake toppings. It eventually ogles its way through not only the now legendary “Diamonds Are a Girl’s Friend” routine but an audacious “Ain’t There Anyone Here for Love” number, where Russell offers to take on the entire U.S. Men’s Olympic Team. Yet they ignore her in favor of choreographed calisthenics in nude-colored shorts-again, wow. (G) STEVE WIECKING
7 p.m. Fri. & Sun.-Tues. plus 3 p.m. Sat.-Sun. matinees Central Cinema, 1411 21st Ave., Seattle, WA 98122 $7-$9 Saturday, April 18, 2015
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Gentlemen Prefer Blondes Shot-for-salivating-shot, this boasts the highest “wow” quotient of anything in the formidably ecstatic Marilyn Monroe oeuvre. The 1953 movie, directed by Howard Hawks, opens with an edible MM and full-figured gal pal Jane Russell bursting onto the screen in skin-tight, feather-hatted, red-sequined regalia like a couple of carnivorous cake toppings. It eventually ogles its way through not only the now legendary “Diamonds Are a Girl’s Friend” routine but an audacious “Ain’t There Anyone Here for Love” number, where Russell offers to take on the entire U.S. Men’s Olympic Team. Yet they ignore her in favor of choreographed calisthenics in nude-colored shorts-again, wow. (G) STEVE WIECKING
7 p.m. Fri. & Sun.-Tues. plus 3 p.m. Sat.-Sun. matinees Central Cinema, 1411 21st Ave., Seattle, WA 98122 $7-$9 Sunday, April 19, 2015
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Gentlemen Prefer Blondes Shot-for-salivating-shot, this boasts the highest “wow” quotient of anything in the formidably ecstatic Marilyn Monroe oeuvre. The 1953 movie, directed by Howard Hawks, opens with an edible MM and full-figured gal pal Jane Russell bursting onto the screen in skin-tight, feather-hatted, red-sequined regalia like a couple of carnivorous cake toppings. It eventually ogles its way through not only the now legendary “Diamonds Are a Girl’s Friend” routine but an audacious “Ain’t There Anyone Here for Love” number, where Russell offers to take on the entire U.S. Men’s Olympic Team. Yet they ignore her in favor of choreographed calisthenics in nude-colored shorts-again, wow. (G) STEVE WIECKING
7 p.m. Fri. & Sun.-Tues. plus 3 p.m. Sat.-Sun. matinees Central Cinema, 1411 21st Ave., Seattle, WA 98122 $7-$9 Monday, April 20, 2015
NFFTY The largest film festival for young, emerging filmmakers is in its ninth year. nffty.org SIFF Cinema Uptown, 511 Queen Anne Ave. N., Seattle, WA 98109 $22 Thursday, April 23 – Sunday, April 26, 2015
Rock the Kasbah
Almost Famous co-stars Kate Hudson and Zooey Deschanel are back in this comedy about music. Opens wide $12 and up Friday, April 24, 2015
The Age of Adaline A woman is left immortal after an accident. Is a man worth her mortality? Theaters TBD $12 and up Friday, April 24, 2015
