After starting a customizable eBay song-for-sale business, the Seattle musician took it on the road.
J’Von, Freaks of Nature, CC Dust, and Swooning stood out by paring it down.
Stretching from San Francisco up to Van B.C., the compilation is a walk along our Western shores.
Seattle Weekly’s 2009 ‘Best MC of the Year’ returns with a sobering new track.
The Seattle five-piece continues its journey into the dark recesses of your soul.
Featuring cosmic funk, outré hip-hop, and a cosmology equal parts Carl Sagan and Carl Jung.
Nightspace’s sophomore release might be their creepiest yet.
‘Disco Christ’ is a raw, emotional, uncategorizable work of self-exploration.
The animator/MC’s latest has a simple surface that belies its lyrical and structural complexity.
The young imprint showcases local underground club producers with a penchant for bodied bangers.
The brand new electronic festival’s lineup includes Derrick May, one of the inventors of techno.
Michael Manahan’s new festival hopes to bridge the gap—but does that gap exist?
From hip-hop to country to improv Shakespeare, the Labor Day fest offers something for everyone.
With the addition of two live drummers, Terence Ankeny’s DJ sets go from transfixing to mesmerizing.
Offering local vinyl hounds a new hangout, with further proof of record retail’s vitality in Seattle.
Context for these albums lie outside Seattle’s core, up and down the Salish Sea.
‘Weekend at Fernie’s’ is the latest addition to the city’s new wave of hip-hop.
Selfie sticks, breakdancing, and swaying to the sounds of Kero One, Awkwafina and Tomo Nakayama.
Seattle’s newest house and techno label found international success by diddling around.
Seattle label Suicide Squeeze has lasted two decades by treating artists like family, not business.
