Nearly six weeks since Tender Forever’s latest album was released, it’s still

Nearly six weeks since Tender Forever’s latest album was released, it’s still in heavy rotation among my music collection. I think that’s because No Snare (out on K Recs back in June, and French native Melanie Valera’s third full-length as Tender Forever), is a smart break-up album that turns the idea of a torch song on its head.There are two tracks that stand out every time I hear the record. The first is “Only the Sounds You Made,” a triumphant song about the benefits of breaking up. The lyrics are a serious Eff You to Valera’s ex–“I’ve been loving/ someone with something you don’t have/ I can’t love someone who is sad”–but the instrumentals still evoke the sounds of heartbreak. The music rises at the chorus with staccato violin notes; the violins slow to melancholy rhythms at the verse and bridge. That juxtaposition drives home the song’s emotional punch.The second memorable track is “Like the Snare That’s Gone.” It’s got a similar theme to “Only the Sounds You Made,” but it’s faster and darker, with beats kept by a drum machine and snapping fingers. There’s a poetry and internal rhythm in the lyrics, as if the lines have meter. At only two-and-a-half minutes long, “Like the Snare That’s Gone” is like musical germ warfare: it’s an explosion of infectious pop and pulse.I’d never heard Tender Forever before No Snare, but the album is being promoted as a departure from Valera’s previous, more dance-directed albums. Maybe I’d have a different opinion if I were a long-time fan; for now, I’m buying whatever Valera (now a Portland resident) is selling. No Snare is tough but emotionally powerful record and easily one of my favorites of 2010 so far.