It shouldn’t really be surprising that The National’s slow-burning, low-humming, melodramatic pop

September 24, 2012 12:00 am
It shouldn't really be surprising that The National's slow-burning, low-humming, melodramatic pop

It shouldn’t really be surprising that The National’s slow-burning, low-humming, melodramatic pop would make for the evening’s most exhilarating set. Augmented by a trumpet, trombone, and multi-instrumentalist (viola, etc.), the Brooklyn band roared from the stage–not quite with a wall of sound–with a wave of noise that crested and crashed at the culmination of every song.Read more here.All photos by Renee McMahonPublished on May 30, 2010

It shouldn't really be surprising that The National's slow-burning, low-humming, melodramatic pop
It shouldn't really be surprising that The National's slow-burning, low-humming, melodramatic pop
It shouldn't really be surprising that The National's slow-burning, low-humming, melodramatic pop
It shouldn't really be surprising that The National's slow-burning, low-humming, melodramatic pop
It shouldn't really be surprising that The National's slow-burning, low-humming, melodramatic pop
It shouldn't really be surprising that The National's slow-burning, low-humming, melodramatic pop