- News & Comment
- Arts & Culture
- Special Content
- Print Edition
All the SIFF films with literary pedigrees your heart could ever desire.
The best of the upcoming enormous film fest.
Guy Ritchie’s take on Camelot is a joyless medieval sausage fest.
What could’ve been a stuffy biopic turns into a fittingly odd ode to its unconventional subject.
The Seventh Art Stand, a free film festival featuring Islamic works, will take over Seattle next month.
Ben Wheatley’s latest strips the action genre of all but its violent core.
The premise may be goofy, but the film ends up being much more than a quirky Kaiju flick.
This action flick with an unwanted gender-reassignment surgery at its center is lurid and clunky.
Growing up and throwing up in this occasionally uncanny film.
There might be something here for diehard fans, but otherwise the nostalgia’s empty.
Disney’s live-action ‘Beauty and the Beast’ remake feels factory-made.
The Henry is re-examining cinema born of darkness.
This animated Swiss Oscar nominee may have lost to ‘Zootopia,’ but its subtle soul shines regardless.
With surprisingly solid storytelling and unexpected plot points, the X-Men outing excels.
When the heir to the Bechuanaland throne marries an Englishwoman, romantic geopolitical chess follows.
The Uncode will “create a space where black people can see one another.”
Even with Joseph, Marie, and a donkey, this film is allegory free and upends expectation.
A goofy father saves his daughter from corporate drudgery by dressing up as a jet-setting life coach.
As a speaker, he was a spellbinder, and he knew it.
The Spanish filmmaker lends his masterly touch to this novella-like film.