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    Film
    Jamie Foxx as Seattle's own Ray Charles: live on Lonely Avenue.
    Oscar on His Mind
    By Sheila Benson • October 9, 2006 12:00 am

    Jamie Foxx steps into greatness portraying the musical legend. So who’s to quibble over a little extra melodrama?

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    Traditional gal? Ray in Bollywood.
    Bollywood, The Trip, and More
    October 9, 2006 12:00 am

    BOLLYWOOD/HOLLYWOOD Opens Fri., Sept. 5, at Seven Gables It took some work to wring such a mirthless send-up out of…

    Read Story

    CG critters crave our garbage.
    Over the Hedge
    By Kellie Hwang • October 9, 2006 12:00 am

    Opens at Metro and others theaters, Fri., May 19. Rated PG. 96 minutes.

    Read Story

    Pucker up.
    Shadows
    By David Massengill • October 9, 2006 12:00 am

    Flat fairy tales.

    Read Story

    April 5-12, 2006
    April 5-12, 2006
    By Others as noted and Brian Miller • October 9, 2006 12:00 am

    Local film events and specialty venues.

    Read Story

    Potente crosses first, looks afterward.
    Sleeping beauty
    By Brian Miller • October 9, 2006 12:00 am

    A truck, a girl, and a fateful intersection.

    Read Story

    Wexler Sr. behind the camera.
    Focus on the Family
    By Sheila Benson • October 9, 2006 12:00 am

    A SIFF documentary shows how filmmakers are increasingly finding the most compelling subjects under the same roof.

    Read Story

    Lights, camera, murder
    Lights, camera, murder
    By Soyon Im • October 9, 2006 12:00 am

    Reassessing the movie that ended a director’s career.

    Read Story

    Euro-tourists Mandy Moore and Matthew Goode in Liberty.
    This Week’s Attractions
    October 9, 2006 12:00 am

    CHASING LIBERTY Opens Fri., Jan. 9, at Pacific Place From a postcard sent to Seattle Weekly from the 18-year-old daughter…

    Read Story

    The State of Seattle Filmmaking
    The State of Seattle Filmmaking
    By Brian Miller • October 9, 2006 12:00 am

    The annual complaint from local filmmakers about SIFF is, “Why didn’t my movie make it into the festival?” Well, having…

    Read Story

    The Yes Men
    The Yes Men
    By John Wood • October 9, 2006 12:00 am

    MGM Home Entertainment, $29.98.

    Read Story

    Huckabees hoo-ha: existential detectives doing philosophical zigzags.
    Only (Dis-) Connect
    By Brian Miller • October 9, 2006 12:00 am

    Oddball auteur David O. Russell makes the movie he wanted to make. If you don’t see the point, that really doesn’t seem to matter.

    Read Story

    Washington confronts Streep, the ultimate WMD: Weapon of Maternal Destruction.
    Fahrenheit 9,011
    By Brian Miller • October 9, 2006 12:00 am

    Sacrilege? No, for once a remake makes sense—and will make more people mad than Michael Moore.

    Read Story

    Around the world in 8 hours
    Around the world in 8 hours
    October 9, 2006 12:00 am

    Foreign Films Break Out All Over Town

    Read Story

    Dig!'s Taylor (left) and Newcombe.
    She Fought the Law
    By Michaelangelo Matos • October 9, 2006 12:00 am

    Documentary director spends seven years tailing two bands, getting arrested in the process. It was time well spent.

    Read Story

    Howard plays Grace version 2.0.
    Manderlay
    By Tim Appelo • October 9, 2006 12:00 am

    Opens Fri., Feb. 24, at Uptown

    Read Story

    What the #$*! Do We Know?
    What the #$*! Do We Know?
    By John Wood • October 9, 2006 12:00 am

    Fox Home Entertainment, $29.98

    Read Story

    It's one long scenic campout for Kaneshiro and Zhang.
    An Empire of Two
    By Brian Miller • October 9, 2006 12:00 am

    Zhang Yimou takes the politics out of his new historical romance. But the movie also feels like opera with the music taken out.

    Read Story

    Reeves isolated in his scramble suit.
    A Scanner Darkly
    By Rob Nelson • October 9, 2006 12:00 am

    Opens at Egyptian, Fri., July 7. Rated R. 100 minutes.

    Read Story

    The Exceptional norm
    The Exceptional norm
    By Bret Fetzer • October 9, 2006 12:00 am

    The secret rules governing why the Oscars always go to the blandest movies.

    Read Story

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