Runs Fri., Nov. 18–Thurs., Dec. 1, at Northwest Film Forum.
Dogma’s latest melts in the sun.
Death sings harmony in Neil Young’s elegiac new concert film.
Don’t groan: Chicago’s a smash.
Forgotten films of the Russian New Wave.
One bike, two owners, and a nation divided.
Architects battle, cars crash, and teeth are scattered in Matthew Barney’s three-hour art-film epic, but the movie is anything but torture to watch.
Todd Solondz’s universe of sadists.
RESERVOIR DOGS Artisan Entertainment, $26.98 The movie that let a thousand irony-drenched, blood-soaked, macho- asshole auteurs (a.k.a. “Li’l Scorseses”) bloom…
Sometimes a house is just a house.
Unfortunate sons seek to fight fate.
Local film events and specialty venues.
Opens at Metro, Fri., June 9. Rated PG-13. 84 minutes.
Able cast inhabits stolen script.
Way too long, still worth seeing.
Also: Genesis, Happy Endings, Wedding Crashers, and Yes.
Everyone’s fixin’ to die for 90 minutes. Then they do. So why do their deaths matter 168 years later?
Runs Fri., Dec. 2–Wed., Dec. 14, at Northwest Film Forum.
Sorceress is right: This document of a 1976 Paris concert, screened as part of the Earshot Jazz Festival, shows Simone…
Opens at Uptown, Fri., May 19. Rated R. 112 minutes.
