We like Willis (left) and Morgan; they like snacks.

Film

Cop Out: Bruce Willis and Tracy Morgan Place Tongues in Cheeks

Jimmy (Bruce Willis), a swinging-dick career cop threatened by his ex-wife’s new husband (Jason Lee), tries to sell…

Jarvis yearns for freedom, unaware of its dangers.

Film

Fish Tank: British Teen Grows Up Too Fast

Katie Jarvis, who makes her acting debut as a rabid teenager in writer/director Andrea Arnold’s Fish Tank, was…

Traditional life endures on the farm.

Film

Old Partner: Hard Life on the Farm

The key image in Old Partner is that of farmer Choi Won-kyun, 79, slumped in his jerry-rigged cart,…

Evangelicals wait for Jerusalem to fall.

Film

Waiting for Armageddon: A Trenchant View of the Bible Belt

Line up this terrific documentary about end-times evangelical Christians against Bill Maher’s sneering Religulous, and you’ll see an…

Buscemi confronts his mediocrity.

Film

Saint John of Las Vegas: No Dice, Steve Buscemi

“When I lived in Las Vegas, I had plenty of luck. The trouble is, most of it was…

Huppert defends her roadside abode.

Film

Home: Isabelle Huppert Versus the Freeway

The opening scenes of Home—a nighttime game of street hockey, a bathing session that turns into a five-way…

Bettany and Connelly try to reconcile faith with science.

Film

Creation: Paul Bettany as Charles Darwin

Already a blogosphere punching bag for right-wing Christians, Creation—about Charles Darwin’s writing of On the Origin of Species—commits…

Kiss me, you fool!

Film

Our Valentine’s Day Date-Movie Planner

Even From Paris With Love has its romantic side.

Mirren is, no surprise, up for another Oscar.

Film

The Last Station: Helen Mirren’s Latest Oscar Shot

Opening with balalaikas, scurrying agrarians in collarless shirts, and helpful intertitles announcing that Tolstoy was “the most celebrated…

Hurt has no time for fools.

Film

44 Inch Chest: Boorish Brits Beat Boyfriend

A quintet of pathetic pals are sized up in this often sharp, nasty exposé of masculinity, written by…

Oscar safely in purse, Roberts can make any movie she wants.

Film

Valentine’s Day: Too Many Stars, Not Enough Heart

Garry Marshall’s embarrassingly star-studded, stiff rom-com is a kind of greatest-hits compilation, painted over with layers of gloss,…

Revenge is sweet in Hidden Life of the Burrowing Owl.

Film

Spike & Mike’s New Generation Animation Festival: 19 Shorts, Most of Them Good

Moving away from the “Sick and Twisted” compilations that built the Spike & Mike brand, this new collection…

Lukas as real-life alpinist Andi Hinterstoisser.

Film

North Face: Alpine Tragedy Becomes Harrowing Film

No, not the parkas. The fearsome north face of the Eiger became the object of National Socialist obsession…

Chan takes aim.

Film

Shinjuku Incident: Jackie Chan Turns Off the Smile

Fresh from his painful buffoonery in The Spy Next Door, Jackie Chan tacks the opposite direction in this…

Travolta gives the French a jive lesson.

Film

From Paris With Love: Why Does John Travolta Hate France?

As personal assistant to the U.S. Ambassador to France, James Reese (Jonathan Rhys Meyers) longs for some more…

Raffaelli looks, Belle leaps.

Film

District 13: Ultimatum: More Stunts, Please

Less a sequel than a remake of the exhilarating 2006 French action flick that introduced parkour to American…

Don’t make Mel mad.

Film

Edge of Darkness: Gibson Stretches as a Man With a Grudge

“Did you shoot my daughtah?” is the question posed, in flat-voweled Bostonian, in the trailer for Edge. And…

A Sissyboy performer prepares for the show.

Film

Sissyboy: Behind the Makeup

From Portland, Katie Turinski’s insiderish, affectionate documentary follows a dozen guys who perform “shock drag” in the model…

Bucur (with Irina Saulescu) tries to remain an honest cop.

Film

Police, Adjective: aka CSI: Bucharest

  Detective stories imply that mysteries can be solved, or at least rationally explained, and confirm a universe…

Haneke's village goes up in flames.

Film

The White Ribbon: Cruel Kinder

Prewar German youth prepare for war in Michael Haneke’s masterpiece.