Local journalists, prior to asking stars for autographs, tend to ask them meek questions at roundtable interviews. But when Viggo…
Follow the money? Follow the script? The real point to this fun Hollywood spoof is its prose storm of confusion.
There’s plenty to tell, and not all of it tawdry, in this X-rated account.
A critic looks back on a year’s worth of movie miscues.
Has Michael Medved been snubbed by his colleagues? He certainly thinks so. “The New York Film Critics Circle is like…
Opens Fri., Nov. 18, at Seven Gables and others.
Dead on arrival, Elizabethtown threatens to bury Cameron Crowe’s career.
Detective-story writer turns sleuth. The details are entertainingly real and bizarre—but also too many.
Runs Fri., Jan. 20–Thurs., Jan. 26, at Grand Illusion
Two new books show why porn is so pervasive—and so hard to put down.
ACT’s cast does brilliantly by The Goat, but it’s only half a masterpiece.
Enchanted April is a sunny escape at ACT.
On a drab, detective-show canvas, Eastwood creates a great story of crime and character.
Lynne Ramsay and Samantha Morton deliver an art-film masterpiece.
ACT’s good actors can’t right Brixton’s wrongs.
Almodóvar takes a plunge into film noir, where false identities mean more than the criminal truth.
What I’d like to see, but won’t, on this Sundays telecast.
Opens at Harvard Exit, Fri., March 24. Rated R. 115 minutes.
Opens at Metro and others, Fri., April 7. Rated R. 109 minutes.
Kids, put down that homework and watch some television immediately!
